Il Trovatore Duet
How painting can transform communities was a very interesting film that had a rather color approach in the way they would engage community members within their project. Haas and Hahn had a vision to improve the surroundings of these poor neighborhoods by sight in which they learned an entirely different perspective in the way neighborhoods respond. Environments have a distinct psychological impact on your subconscious mind; whereas your surroundings can greatly influence your mood and emotion. It has been proven by many psychologists that design can truly change human behavior and perspective of their lives and the world. I like the idea of this project but I think it should be done with an improvement of the infrastructure, education and values of the people who lives there. it is also important to integrate society from all different levels on this project, doing this with the objective of the creation of bonds in de the neighborhood. The text subsequently talks about social class and inequality amongst them as resources are scarcely distributed in the aspects of wealth, health, education, power, and in the case of this film is generally housing. Concepts on how societies are tied to unequal resource patterns will help us observe how art can transform
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These are high-culture events composed of upper class members. Resources and access to promote and produce artistic expression is needed and have accompanied economic restructuring for classes. Classes that are lower are dependent on the forms of culture being distributed more in expectance of class correlations by socioeconomic status. Art forms for lower-middle class people been categorized as folk or subculture. While other artist freely “borrow” forms produced by those class in which cultural art collects value and are controlled by elite economic
These are high-culture events composed of upper class members. Resources and access to promote and produce artistic expression is needed and have accompanied economic restructuring for classes. Classes that are lower are dependent on the forms of culture being distributed more in expectance of class correlations by socioeconomic status. Art forms for lower-middle class people been categorized as folk or subculture. While other artist freely “borrow” forms produced by those class in which cultural art collects value and are controlled by elite economic