How Is Prejudice Shown In To Kill A Mockingbird
In the film To Kill A Mockingbird, prejudice is an incredibly prevalent theme. Prejudice against a person's persona is particularly prominent when Jem, Scout, and Dill crept up to the Radleys' Place at night and dared Jem to touch the house, lest he prove himself a coward. There is extremely high tension in this scene as indicated by the frightened expression on the children's faces, which is shown by periodical close up shots. They were obviously scared of what they might see, and this emotion is readily reflected in the audience. Emphasis was placed when a mysterious shadow crept up on the porch while Jem touched the house. The children had to go through a wild, unkempt garden to reach the back door of the Radleys' Place. This garden effectively illustrated Boo as incredibly reclusive. The darkness of the night coupled with a lack of artificial lighting indicated that this scene was created as realistic as possible. The music was
…show more content…
This is astonishingly prevalent in the controversial trial of Bob Ewell versus Tom Robinson, especially within the seating arrangements of white people and the Negroes. The extremely strong segregation between the two was shown through the seating of all white people on the ground floor, who ended up within close range of the trial, compared to the seating of all Negroes further up in the balcony (with the exception of Tom Robinson). Before the trial officially started, even in the midst of a sea of people there was a clear division between whites and Negroes as well as the way they immediately gathered with the people of their own race. In addition, the lack of music in this scene served to heighten the tension within the courthouse between the whites and Negroes regarding the trial. Altogether, these techniques effectively highlights the mistrust each Maycomb citizen has for those of a different race from themselves purely based on
This is astonishingly prevalent in the controversial trial of Bob Ewell versus Tom Robinson, especially within the seating arrangements of white people and the Negroes. The extremely strong segregation between the two was shown through the seating of all white people on the ground floor, who ended up within close range of the trial, compared to the seating of all Negroes further up in the balcony (with the exception of Tom Robinson). Before the trial officially started, even in the midst of a sea of people there was a clear division between whites and Negroes as well as the way they immediately gathered with the people of their own race. In addition, the lack of music in this scene served to heighten the tension within the courthouse between the whites and Negroes regarding the trial. Altogether, these techniques effectively highlights the mistrust each Maycomb citizen has for those of a different race from themselves purely based on