Instead of using setting description, he just uses scenery because you can actually see it. For example, he uses the setting descriptions of the narrator’s dream from the beginning of the novel to create the scenery, visuals, and the enactment of the dream in the movie. The dream in the movie sounds exactly like the dream in the novel, but you can actually see it instead of imagining it. The suspenseful part is when the house is dark and there is no sign of life. But suddenly, a light turns on. Also, he uses scenery as Manderly burns to the ground at the end of the movie. Hitchcock also uses music to create suspense and tension. As mentioned earlier, Manderly is burnt down and as Maxim figures out that it’s Manderly burning, suspenseful music plays. Earlier in the movie, the narrator tells Mrs. Danvers to remove certain things from the room. Mrs. Danvers asks her why, and the narrator replies, “Because I am Mrs. de Winter now.” As she says this, suspenseful music
Instead of using setting description, he just uses scenery because you can actually see it. For example, he uses the setting descriptions of the narrator’s dream from the beginning of the novel to create the scenery, visuals, and the enactment of the dream in the movie. The dream in the movie sounds exactly like the dream in the novel, but you can actually see it instead of imagining it. The suspenseful part is when the house is dark and there is no sign of life. But suddenly, a light turns on. Also, he uses scenery as Manderly burns to the ground at the end of the movie. Hitchcock also uses music to create suspense and tension. As mentioned earlier, Manderly is burnt down and as Maxim figures out that it’s Manderly burning, suspenseful music plays. Earlier in the movie, the narrator tells Mrs. Danvers to remove certain things from the room. Mrs. Danvers asks her why, and the narrator replies, “Because I am Mrs. de Winter now.” As she says this, suspenseful music