How Did Walter Gropius Influence Architecture
Social tensions were on the rise and the people of Germany began the outcry for formal change. Modernism began gaining popularity in nations all across Europe and its effect on architecture was no different. Walter Gropius, with regards to the Fagus Factory, one of his first works from 1911, set out to build a structure to embody his theories of modernism and functionalism. By connecting with the people through the space’s arrangement and aesthetic, architecture took on new meaning. The Fagus Factory allowed function to reign supreme over form created a clean and accessible design unparalleled in any predeceasing movements worldwide. Aesthetically speaking, the building retains a sort of timeless charm. Gropius was one of the first architects to stand for the concept of honesty in material within his designs (Pascucci). Deriving from the core values of modernism and functionalism, he began the design guided by new philosophy. With this in mind, he implemented the iconic glass
…show more content…
His incorporation of increased daylight, fresh air, and hygiene established an environment of heightened production, factory wide (Pascucci). In defining a space where workman and machine could perform together, Gropius was able to create a more conducive environment for employees (Isaacs 26). The relevancy of people in relation to their spaces was a new concept explored in the conquests of modern architecture (Joedicke). Consequently, the German public was completely on board for this change of theory. As the Social Democratic Party of Germany was rising in popularity, social needs and advocacy for the disadvantaged were becoming a focal point politically (Conradt). The modernism and functionalism that once stood as a mere theory, was now connecting architects
His incorporation of increased daylight, fresh air, and hygiene established an environment of heightened production, factory wide (Pascucci). In defining a space where workman and machine could perform together, Gropius was able to create a more conducive environment for employees (Isaacs 26). The relevancy of people in relation to their spaces was a new concept explored in the conquests of modern architecture (Joedicke). Consequently, the German public was completely on board for this change of theory. As the Social Democratic Party of Germany was rising in popularity, social needs and advocacy for the disadvantaged were becoming a focal point politically (Conradt). The modernism and functionalism that once stood as a mere theory, was now connecting architects