Preview

Harlem Renaissance: Claude Mckay And James Weldon Johnson

Better Essays
Open Document
Open Document
1206 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Harlem Renaissance: Claude Mckay And James Weldon Johnson
Abstract
The following paper focuses on the two poets of the Harlem Renaissance – Claude McKay and James Weldon Johnson. Their role and importance within the literary movement is identified, and the major themes of their poems, If We Must Die and The Prodigal Son are highlighted.

Harlem Renaissance Poets
The Harlem Renaissance was a cultural movement that spanned unofficially form 1919 to the mid 1930’s. The “Negro Movement” as it was then called, heralded the zenith of modern African literature. Though it was centered around the Harlem, New York, many Afro-Caribbean writers were also inspired by this movement to produce epic pieces of literature. In this paper we concentrate on the great poetry that ebbed and flowed during this movement
…show more content…
Perhaps most known are, McKay’s reflection on the so-called “double consciousness” of blacks which helped them survive in a society where racism was so embedded in the civil consciousness. McKay’s seminal works express his contempt for the rampant racism and bias blacks faced in society. Arthur D. Drayton, in his essay “Claude McKay’s Human Pity” says: “In seeing . . . the significance of the Negro for mankind as a whole, he is at once protesting as a Negro and uttering a cry for the race of mankind as a member of that race. His human pity was the foundation that made all this possible”. (Claude McKay, …show more content…
The media reporting was biased and the crackdown on Black was brutal. The image of “mad and hungry dogs” (line 3) is almost a double personification, where it embodies not lonely the doglike nature of the White people who brutalized the black inhabitants but also what they thought of those blacks: as dogs who could be subdued like animals. The line “If we must die” is repeated throughout the poem, where McKay shows that an ignominious end to the Back freedoms in America seems inevitable however he asks his people to unite and stand firm: “O kinsmen! We must meet the common foe!” and show courage: “Though far outnumbered let us show us brave.” The poet urges the back nation not to back down: “Like men we’ll face the murderous, cowardly pack, /Pressed to the wall, dying, but fighting

You May Also Find These Documents Helpful

  • Good Essays

    Freedom or the lack of freedom was the seed, the energy, and underlying theme that drove the poetry of the Harlem Renaissance, like that of Langston Hughes and Countee Cullen. These two poets use such deceptively and, yet, deeply effective imagery, reaching out to the reader to move him or her to a well of distilled truth. The language is direct, the images strong, and the essential, clear. Langston Hughes, in his poems, “I, Too”, and “Dream Variations”, as well as Countee Cullen’s “Any Human to Another” speak so eloquently and with such dignity and strength, that one is at once struck by a truth that seems new again and urgent even if one believed to have known that truth before and this is achieved through the use of imagism. Through imagism, these two poets exemplify how this literary device aims at clarity of expression through the use of precise visual images. It was the dream deferred of which they “sang,” freedom, each one’s nature-given-manna for which they strained,…

    • 1750 Words
    • 7 Pages
    Good Essays
  • Good Essays

    The Harlem Renaissance was a literary, artistic, and intellectual movement that kindled a new black cultural identity, spanning the 1920s and to the mid-1930s. While reading the article “Black Renaissance: A Brief History of the Concept” I learned that the Harlem Renaissance was once a debatable topic. Ernest J. Mitchell wrote the article, explaining how the term “Harlem Renaissance” did not originate in the era that it claims to describe. The movement “Harlem Renaissance” did not appear in print before 1940 and it only gained widespread appeal in the 1960s. During the four preceding decades, writers had mostly referred to it as “Negro Renaissance.”…

    • 105 Words
    • 1 Page
    Good Essays
  • Good Essays

    Cruse pays homage to the artistry of early Harlem while detailing the social climate of the time. Cruse believed severely in his culture and power in which it holds. Yet, his focus on Harlem, though done much justice, does not give the proper representation of a secular Black experience, let alone an American one. The time period discussed was the bulk of the shift in America from Negro to Colored to Black from border to border. Cruse was firm in his stance against intergrationalist but lacking in cultural inclusion. He includes every Negro writer, musician and artist that feet ever graced Harlem, and by and far, their stories deserve praise, but so do our other leaders and ground shakers of the Black early…

    • 548 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Georgia Douglas Johnson

    • 1005 Words
    • 5 Pages

    Harold Bloom, ed., Black American Women Poets and Dramatists (New York: Chelsea House, 1996). Countee Cullen, ed., Caroling Dusk: An Anthology of Verse by Negro Poets (New York: Harper and Brothers, 1927). Gloria T. Hull, Color, Sex, and Poetry: Three Women Writers of the Harlem Renaissance (Bloomington: Indiana University Press, 1987). Judith Stephens, " 'And Yet They Paused ' and 'A Bill to Be Passed ': Newly Recovered Lynching Dramas by Georgia Douglas Johnson", African American Review 33 (autumn 1999): 519-22. Judith Stephens, The Plays of Georgia Douglas Johnson:From The New Negro Renaissance to the Civil Rights Movement (Urbana and Chicago: University of Illinois Press,2006) C. C. O 'Brien, Cosmopolitanism in Georgia Douglas Johnson 's Anti-Lynching Literature (African American Review, Vol. 38, No. 4) (Winter, 2004), (pp. 571-587 published by: St. Louis University) http://www.jstor.org/stable/4134418 Retrieved from "http://en.wikipedia.org/w/index.php?title=Georgia_Douglas_Johnson&oldid=550294536" Categories: 1880 births 1966 deaths African-American poets Oberlin College alumni People from Atlanta, Georgia Writers from Georgia (U.S. state) Writers from Washington, D.C. This page was last modified on 14 April 2013 at 11:35. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.…

    • 1005 Words
    • 5 Pages
    Better Essays
  • Best Essays

    Many immigrants to the United States also struggle with finding and keeping a balance of the uniqueness of their native culture while also adopting some practices of the culture of their new country. This was especially true of Claude McKay, a Jamaican born writer most known for his contributions to the Harlem Renaissance. McKay strongly identified with African Americans, but wanted an American identity all at the same time. In addition to these inner struggles, American racial attitudes of the time also had a major impact on McKay, specifically the country’s opinions toward African Americans. Overall, McKay’s assimilation into American culture was heavily affected by his race. Although McKay participated actively in the Harlem Renaissance, he never saw himself as anything more than a Caribbean…

    • 1535 Words
    • 7 Pages
    Best Essays
  • Better Essays

    From the beginning, Zora Neale Hurston was ahead of her time. She was born early in 1891 in Notasulga, Alabama. While she was being born her father was off about to make a decision that would be crucial to her in the development as a woman and as a writer; they moved in 1892 to Eatonville, Florida, an all-black town. In childhood, Hurston grew up uneducated and poor, but was immersed with black folk life, and the town of Eatonville had become like an extended family to her. She was protected from racism because she encountered no white people. Booker T. Washington observed that in black-governed towns like Eatonville,…

    • 1929 Words
    • 8 Pages
    Better Essays
  • Good Essays

    The Harlem Renaissance created a place for “streams of black writers, musicians, performers and film-makers, a refuge from the all racism of American society” (Stuart 40). Harlem became a place separate from society where people were free to do as they pleased which allowed for creative art in the forms of writing, poetry, paintings, and music to flourish; however it also gave life to drug use, sexual adventure, and…

    • 910 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Langston Hughes contributed a tremendous influence on black culture throughout the United States during the era known as the Harlem Renaissance. He is usually considered to be one of the most prolific and most-recognized black poets of the Harlem Renaissance. He broke through barriers that very few black artists had done before this period. Hughes was presented with a great opportunity with the rise black art during the 1920 's and by his creative style of poetry, which used black culture as its basis and still appealed to all ethnicities.…

    • 828 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The Harlem Renaissance is known for many unique objectives, but one of the most important objectives that it was well known for is how many wonderful artists’ and writers came about during that time period. One of the most famous writers or what many consider a “prolific and versatile writer” (Beckman 65) was Langston Hughes. Langston Hughes was an American poet, novelist, and play writer whose African-American themes made him a primary contributor to the Harlem Renaissance of the 1920s” (“Langston Hughes Bio.”). Hughes was born February 1, 1902, In Joplin Missouri and sadly died May 22, 1967. During his time he first started off writing about ordinary African Americans. He was said to be a “Major creative force in the Harlem Renaissance”…

    • 791 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Harlem Renaissance was African-American’s cultural movement that began in 1920, it was blossoming of African American culture in terms of literature and art starting in the 1920 to 1930 reflecting the growth of Black Nationalism and racial identity. Some universal themes symbolized throughout the Harlem Renaissance were the unique experience of thralldom slavery and egressing African-American folk customs on black individuality. African American population of United States highly contributed in this movement; they played a great role to support it. In fact, major contribution was made by black-owned businesses and publication of their literary works. Nevertheless, it relied on the patronization of whites.…

    • 630 Words
    • 3 Pages
    Good Essays
  • Better Essays

    What is the definition of the Harlem Renaissance? The Harlem Renaissance was the name given to the social and aesthetic blast that occurred in Harlem between the finish of World War I and the center of the 1930s. Amid this period Harlem was a social focus, drawing dark journalists, craftsmen, performers, picture takers, artists, and researchers. The Harlem Renaissance was exceptionally critical in light of the fact that it denoted a minute when white America began perceiving the scholarly commitments of Blacks and then again African Americans stated their personality mentally and connected their battle to that of blacks far and wide and planted the seeds for what might later turn into the Civil Rights development and interestingly gave us certain…

    • 1303 Words
    • 6 Pages
    Better Essays
  • Satisfactory Essays

    What did I learn about the Harlem Renaissance? It was the birth of a new Revolution. The Harlem Renaissance began during the ending of World War I, and as soldiers returned home from war their jobs were filled with African Americans who fled to the North for better opportunities or to get away from the South’s caste system. Harlem, New York became a culture attraction center for African Americans seeking more than just better opportunities, African Americans travel to Harlem, New York for the freedom of art which was exploding around the Northern Hemisphere. The opportunity of art gave African Americans the freedom to express themselves in the public eye without facing racial violence for speaking out against the racism issues in…

    • 243 Words
    • 1 Page
    Satisfactory Essays
  • Powerful Essays

    Gilroy, Paul. Modern Tones, Rhapsodies in Black: Art of the Harlem Renaissance. Exhibition devised and selected by Richard J. Powell and David A. Bailey. London: Hayward Gallery: Institute of International Visual Arts; Berkeley: University of California Press, 1997.…

    • 1907 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Anne Sullivan Macy once said that “Every renaissance comes to the world with a cry, the cry of the human spirit to be free”. A renaissance is defined as “a renewal of life, vigor, interest, etc.” (Dictionary.com); it is also known as a rebirth or revival. Throughout history, there have been a multitude of renaissances, the most prominent being the cultural and artistic renaissance that occurred in Europe between the fourteenth to seventeenth centuries. However, there are others that are also quite historically significant. Another well-known example is the Jazz Age and the Harlem Renaissance, also known as the “the Roaring Twenties”, which began in the 1920’s and progressed into the early 1930’s, prior to Great Depression. This great age,…

    • 144 Words
    • 1 Page
    Good Essays
  • Good Essays

    Langston Hughes

    • 1048 Words
    • 5 Pages

    The Harlem Renaissance was a huge cultural movement for the culture of African Americans. Embracing the various aspects of art, many sought to envision what linked black peoples’ relationship to their heritage and to each other. Langston Hughes was one of the many founders of such a cultural movement. Hughes was very unique when it came to his use of jazz rhythms and dialect in portraying the life of urban blacks through his poetry, stories, and plays. By examining 2 poems by Langston Hughes, this essay will demonstrate how he criticized racism in Harlem, New York.…

    • 1048 Words
    • 5 Pages
    Good Essays