Preview

Hans Holbein Ambassadors Analysis

Good Essays
Open Document
Open Document
655 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Hans Holbein Ambassadors Analysis
“Hans Holbein’s Ambassadors

In this piece of art by Hans Holbein “Ambassadors” the color is very vibrant. Between two young men who seem to be very wealthy and educated, it seems to be a lot of globes, sundials, books and maps for education, learning, exploring or something of the sort, and along with the man of the left is holding a telescope. At the bottom of this painting seems to be a stretched skull, it looks as if it is trying to be blended in with the rug on the floor. Also there are a lot of patterns on the table cloth, rug, and backdrop.

In this painting there are a few visual elements that stand out. The first element that stands out the most would absolutely have to be lighting. Holbein’s shows an abundant of tenebrism. There are many places in this painting that shows tenebrism such as under the table, the two men’s clothing and around their feet, the left side of the skull and also in the folds in the curtain. The tenebrism helps makes the color be more vibrant, mainly the greens. Holbein showed a lot of visual texture in this painting mainly in the clothing the two men wore. The man to the right has a fur trimmed coat that looks to be super soft and the shirt he has on looks to be silk with the
…show more content…
Most of his life was spent in England painting the Tudors. He was born in Augsburg in southern Germany in the winter of 1497-8. His father taught him to paint. In 1532 he settled down in England, later dying of the plague in London in 1543. Holbein’s “Ambassadors” was painted in 1533. This painting was of two wealthy, educated, and powerful young men. The man to the left is Jean de Dintevill, at the age of 29, he was the French ambassador of England. On the right of him is his friend George de Selve, at the age of 25. He was the bishop of Lavaur. The objects between them all symbolizes something, the skull symbolizes mortality, the globes and sundials are for understanding the heavens and

You May Also Find These Documents Helpful

  • Better Essays

    The scene it portrays shows a woman holding an infant while she stands on a chariot drawn by two lions. Surrounding her in the air and around her feet are sixteen angels or cherubs. In the background there is a horizon with foggy mountains and a lake. On the left and right of the picture there are two columns reminiscent of the Classical era and at the top of the painting there is curtains and berry garland, almost like the scene was staged in a theater.…

    • 1099 Words
    • 5 Pages
    Better Essays
  • Good Essays

    There is an overpowering use of cool colors in the painting as the different shades of blue in the water control the overall mood of the painting. The bits of green used in some flags, boats and an area of the water to the right of the painting help to keep that coolness. The use of the warm red, yellow, and orange colors help to warm up the painting just a bit by adding a bit of “pop” to it. All of the warm colors are very intense and appear to be pure. The monochromatic harmony of the blue water has different levels of intensity as the dark blue has a lower intensity.…

    • 782 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Also, if you look very closely at the painting, you can see some brush strokes that the painter made. I like that because the viewer can see how thick the paint is and how you move onto the canvas. Lastly, I like how there is light around the top of the painting. I love how the artist used different colors and shades. This art piece goes very well in my family's dining room, in my opinion.…

    • 452 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The painting consists of a very blue color scheme throughout. This is, in most cases, associated with coldness and sometimes death. The dark blue background also, as mentioned above, provided almost an extreme contrast. In addition to the background, her hair also dark. Had he chosen blonde hair, the contrast would dulled. Most importantly, the girl’s eyeliner very much brings out her eyes. It is strategically placed on her waterlines rather than lids to accentuate her eyeballs and provide incredibly sharp corners to her eyes. The coldness and “deathly” tone of the painting manifests an eerie and dangerous theme. The contrast and accentuation of the girl and her eyes inclines the audience to be intrigued by the girls fearlessness in a cold and deathly…

    • 574 Words
    • 3 Pages
    Good Essays
  • Good Essays

    argaerg

    • 845 Words
    • 4 Pages

    What struck me when I first saw this painting, other than the pretty flower garland, is how brightly illuminated she was. Her porcelain skin is highlighted as if the sun or some form of light shines down on her. This is in contrast to everything else being much darker. The contrast between her bright aura and the dark surroundings could the author’s way of symbolizing Madame de Thorigny’s status and wealth. It could also be a way of emphasizing her being the focal point of the painting. I noticed her gaze…

    • 845 Words
    • 4 Pages
    Good Essays
  • Good Essays

    David Battcock Analysis

    • 1068 Words
    • 5 Pages

    The contrasting colors have a major effect in this painting. The light blue wall in the back looks like a dazzling blue sky on a sunny day, but directly behind the men two darkened shadows lurk like massive storm clouds. The…

    • 1068 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The lines in this work of art are of a large variety. On the right side of the painting a lot of the objects are horizontal. The woman though is sitting up vertically, along with the flame. There are a few diagonal lines also, for example; the position of the woman’s head, one of her legs, and her arm resting on the skull. Everything in this painting is realistic and the shapes are organic. The texture in this painting is two-dimensional. Almost all of the objects seem to be smooth, for example; the books, the wall, the table, the woman’s skin and dress, and so on. Warm colors are used in this painting. The value in this shows the lightest point being the center and from that going outward, it gets darker.…

    • 537 Words
    • 3 Pages
    Good Essays
  • Good Essays

    CAU Art Gallery Analysis

    • 791 Words
    • 4 Pages

    The second panel is Interchange. It indicates cultural exchange among the people of Africa, the Eastern Mediterranean, and Europe in ancient times. Surrounding the top of the painting, presents historic architectural forms from Greece, Egypt, and the Songhai Empire. On the left of the painting, is a Greek musician who is analyzing an African musician playing a thumb piano called kalimba. This panel showed me the exchange between each culture and how they impacted on one another.…

    • 791 Words
    • 4 Pages
    Good Essays
  • Good Essays

    It may at first glance appear that this painting is all jumbled up but you would be wrong. Reuben precisely placed each item in this painting. This style of painting is called Baroque. Baroque basically means elaborate and extensive detail used in a painting. Reubens avoids stiff lines and boring geometric forms to create life and motion in his painting. His flowing lines create movement in the painting. It is as if…

    • 990 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Jsjsjsjjs

    • 590 Words
    • 3 Pages

    The art piece is representational, the lines are sharp and there are various and different shapes. The texture is smooth and there has been more than one colour that has been used in the painting. The tone shows that the sun is on him even though there is no sun shown in the portrait. Space and depth has been used as you can tell the objects are further away and the ones that are closer up and in detail.…

    • 590 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    hoeing

    • 1131 Words
    • 5 Pages

    I didn’t even notice it at first, it hardly stuck out against its counterparts. Most of the other paintings at the museum were splashed with dazzling colors that seemed to lift their two dimensional images out of the frame. “Hoeing” by Robert Gwathmey, seemed to do just the opposite, it drew me in. It must have been its distorted figures that first captured my attention. Surrounded by beautiful paintings that almost seemed life like, “Hoeing” in comparison, was an abstract oil painting of oddly shaped workers. Berger said, “The way we see thing is affected by what we know or what we believe”. (167) Having rarely been to museums except on school trips my exposure to art has been very limited. In fact, most of what I know to be art is derived from a single drawing course I took in high school. Everything in the course was directed towards making your drawing seem life like; proper shading, three-dimensional drawing. In whatever case, I came to believe “good” art was the piece that looked the prettiest. Standing in the museum hall, I wasn’t disappointed, most of the paintings there were so realistic they bordered on the difference between a painting or photo. But “Hoeing” was not attractive, or at least not in the traditional sense. Even the frame looked like it had been chipped away over half century. Looking at the painting I was surprised at how an arbitrary piece could make it into a museum. The painting itself portrayed a group of African-American famers laboring at multiple tasks. The two-dimensional figures were either prominently dark black or brown and were continually bent over from either work or exhaustion. The sky was a dull gray mixed with tints of blue while the ground was a scorched red and orange. The colors didn’t add for detail but rather for mood. The dark undertones brought a “tiresome” behavior to the painting that was complimented by the painting’s simplicity. This painting did not stick out to me for its…

    • 1131 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The bright and vivid background color and the woman’s gesture drew me to this particular piece of art. The brighter color gives people a sense of happiness and that’s why I like it. His painting style is different from the original impressionism, so I want to know the…

    • 895 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The Marvelous Sauce

    • 854 Words
    • 4 Pages

    What first catches the viewer 's eyes are the vivid colors used in the painting. Ultimately what jumps out the most is the man on the right 's red robe. The artist intended this for a reason, discussed later. The room where the men are standing is front lit. Also the atmosphere is not hazy. There is no hint of sffumato. It is very much unlike the Romantic works produced earlier in the century. Rather the edges of the figures and of other objects in the picture plane are clearly defined. The artist "renders every object in the painting with meticulous clarity" (Smith 1). To see this work in person is really quite impressive. The painter has achieved a great sense of depth in the painting, as well as a strikingly realistic quality. The picture taken for this paper from the Albright-Knox 's web page simply does not do this work justice. One 's experience of standing in front of this painting is that of awe. The artist has depicted everything in the scene so realistically, and yet has made it look better than it probably did in real life. Everything in the painting has a rich, glowing quality about it.…

    • 854 Words
    • 4 Pages
    Good Essays
  • Good Essays

    A simple oil painting made in 1654 on an unknown canvas medium, it is encased in a golden frame with intricate carvings that seems to resemble plant patterns. The overall artwork’s visual is mainly comprised of earth tone colors ranging in hues and shades, six people from what seems to be the lower class, excluding the dog, present in an area with rugged lands, a lake,…

    • 828 Words
    • 4 Pages
    Good Essays
  • Better Essays

    What caught my eye first were Madonna’s and the angel’s gowns. They shined as if a light in front of the painting was making them shimmer. The coloring of the skin on all the subjects looked precise and the rosy tones on the cheeks and eyelids gave off a warm feeling, which added to the overall adoring nature of the painting. Standing back one would never notice the small intricate details Francia painted but up close they become apparent. Francia went as far as painting the creases and lines within the palm and fingers of the baby Christ giving the subject a sense of realness. Up close one can see the small embellishments on Madonna’s gown and cloak. Around the neck of the gown and edges of the cloak there is an intricate white pattern. The hair on the angels looks like each and every strand was painted separately. Francia even painted the light bouncing off the hair and the crease of the flower crown creates on the angel’s hair on the right. As was common in the time period, Madonna has a halo above her head painted in a bright gold to bring emphasis to it. The baby Christ also has a (what is perceived to be a) slight halo that represents his holiness along with his mother. Francia painted a transparent veil under Madonna’s clothes and even painted creases into the veil where it bunches on her chest, the talent apparent in the painting amazes…

    • 1264 Words
    • 6 Pages
    Better Essays