goblin market
In the story the “Goblin Market” expresses the 8 characteristics of romanticism in many forms. One of the strongest emotions inherent in us as humans is desire. The majority of the time, we are unable to control what we crave; however, with practice, we learn not all things we want are necessary. As a result of this mature understanding, we are able to ease our feelings and sometimes even suppress our desires. Something even more mature understands that when we give in to our desires, we become vulnerable. In a harsh, brutal world, vulnerability will not work to our advantage. In Christina Rossetti’s “Goblin Market,” she writes about a sister who succumbs to her desire and pays dearly for it while the other sister resists her desires and receives the ultimate reward of her sister’s life. By creating such a spectacular tale, Rossetti stresses the importance of being in touch with one’s desires and being able to prevail over their strong hold because in the harsh world we live in, we cannot afford to let our desire get the best of us. Lizzie does not succumb and does not do what the goblin men want her to do. As a result of this refusal, she has the power to bring her sister back to normal and take away her premature aging. Christina Rossetti is conveying the importance of maintaining control over one’s self: if one keeps oneself from becoming vulnerable, resists desires, and chooses the right path, one will remain safe and be rewarded handsomely. Other forms of the characteristics to the “awe of nature” in the work there are many references made to the significance of nature. The references to all of the fruits and animals. Also the use of repetition is prevalent when the Goblins use the phrase “come buy our fruit “respectively. The allure of the market calls to one of the sisters, she is somewhat mesmerized by the act of going to the market. The importance of imagination is also seen in the development of the work; just as described in the awe of nature the
Cited: Rossetti, Christina. Goblin Market. Illustrated by Laurence Housman. 1893. New York: Dover, 1983.