Gcse 100 Assignment
DANCE 100 FINAL ASSIGNMENT New Moves, choreographed and performed by the students of the Cornish College of the Arts at the Broadway Performance Hall amazed me with how the dancers were able to express emotional moments in nature and life through various dance techniques. The first piece, Tiger Lily 96 performed by Elise Laundles and Collen McNeary, contains two young female dancers simulating birds hatching as they transform their bodies from being trapped in the egg to a great bird spreading its wings. The two dancers lay on the ground curled up in balls only to simultaneously wriggle their torsos in circle motions and twitch their shoulders and necks in a strong effort to break free of their shells. They proceed to jolt upright
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The six female dancers sit on the ground separately, spread out in three different columns, and begin to feel their bodies gently as they clasp their hands on their chest, neck, and back. They warmly embrace their individual bodies as if assuring themselves that they have beautiful womanly bodies. Next, the six female dancers twist their bodies quickly to the side and stand on their feet as they raise their upper bodies to a straight position followed by their extended arms slowly rising above their heads. The effect of the women being naked with their limbs spread apart widely dramatically helps the audience understand the true beauty of the female body. The female dancers proceed to rub their breasts with both hands as they glide their fingertips and arms across the top and bottom of their breasts in opposite directions. The lighting of the set is focused on the frontal side of all the female dancers in an effort to focus the audiences eyes on the women's bodies. The technique of a stagnant body position, as the dancers are nude, allows the audience to focus on the upper bodies of the female dancers which helps to express and celebrate the true beauty and elegance of the female
The six female dancers sit on the ground separately, spread out in three different columns, and begin to feel their bodies gently as they clasp their hands on their chest, neck, and back. They warmly embrace their individual bodies as if assuring themselves that they have beautiful womanly bodies. Next, the six female dancers twist their bodies quickly to the side and stand on their feet as they raise their upper bodies to a straight position followed by their extended arms slowly rising above their heads. The effect of the women being naked with their limbs spread apart widely dramatically helps the audience understand the true beauty of the female body. The female dancers proceed to rub their breasts with both hands as they glide their fingertips and arms across the top and bottom of their breasts in opposite directions. The lighting of the set is focused on the frontal side of all the female dancers in an effort to focus the audiences eyes on the women's bodies. The technique of a stagnant body position, as the dancers are nude, allows the audience to focus on the upper bodies of the female dancers which helps to express and celebrate the true beauty and elegance of the female