Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the poem ‘Journey: The North Coast’ as he dwells on the sheer beauty that can be found in the natural world in contrast to the alienated environments manufactured by men. In contrast to the idea of modernisation, Grey also expresses values of love and respect for the environment and nature through the physical and emotional journey. Additionally, the idea of Australian landscapes and strong sense of identity in ‘Journey: The North Coast’ reflects in poet’s visualisation of the country side where he allows the readers to explore the beauty of Australian landscapes and empathize with the poet.…
Explanation: By using phrases in the example, the author creates an atmosphere of eeriness and evil. The imagery causes the reader to feel as if they are actually inside the story and on the boat. They can actually feel the darkness “pressing into them”, just as the author has written. For example, by reading the phrases put in the story, I can suddenly feel a cold chill and imagine the sound of animals and the sea at night. The Caribbean is also well known for its mysteries, and by having the second phrase the author can insert more fear and curiosity into the readers. The reader’s thoughts are then confirmed when one of the characters say that the place has a bad reputation, and that even the sailors are strangely scared of it in example number three.…
"Trouble always comes in threes. Maybe you didn't notice it on the mainland because things are so complicated. On the island you can see it because it's small and you know everybody. There's just 35 houses. Somebody gets hurt, everybody knows about it. They can…
McCarthy tells the story using narrative voice in this section of the text. He contrasts the third person extradiegetic narrator with the man’s interior monologue in order to convey multiple perspectives to the reader. “He’d left the cart in the bracken beyond the dunes and they’d taken blankets with them and sat wrapped in them in the wind-shade of a great driftwood log.” Here, McCarthy constructs the lexis of the third person narrator using what some critics have called a limited linguistic palette. The polysyndeton creates a steady rhythm, which parallels the rhythm of the journey the man and boy are on, which is, like the sentence, seemingly never-ending. Here the narrator presents the reader with a practical account of the man and boy’s response to the disappointment of the beach, detailing their movements with unelaborated, unemotional language. The pared back language poignantly conveys the sense that the bleakness of the beach was inevitable. In contrast, the tricolon: “Cold. Desolate. Birdless”, is clearly the man’s interior monologue. The three adjectives highlight the extent to which the reality of the beach does not live up to the characters’ expectations of it. Where they had hoped for warmth when heading south, instead they found “cold”. Where they had hoped for a more habitable climate, they found a “desolate” environment. Where they had hoped for life, they had found a “birdless” environment. Thus, the tricolon convey’s the man’s disappointment to the reader. McCarthy utilizes stream of consciousness in order to enable the reader to understand the man’s emotional response. The narrator is typically unemotive, presenting a pared back account of events and it is thus these…
Lawson uses distinctively visual techniques to portray the harshness of the Australian bush environment. In ‘The Drover's Wife’, Lawson describes the bush in negative overtones with nothing to alleviate its bleakness ‘stunted, rotten native apple trees’, ‘waterless creek’, ‘everlasting, maddening sameness.’ This is reinforced in “bush with no horizon... no ranges... no undergrowth...” Through cumulated negation and repetition of ‘no’ Lawson paints an uninviting and sparse setting for the story. Likewise, Lawson perpetuates the same idea in his ‘In a Dry Season.’ Lawson engages the reader immediately through the use of second person ‘you’ll’ and the imperatives ‘Draw’ and ‘add’ in the accumulation of images ‘Draw a wire fence and a few ragged gums, and add some scattered sheep away from the train.’ This allows the audience to participate in recreating the bush setting. The narrator’s negative impressions of the outback is evident in the stoic tone ‘the least horrible…
By way of a varied use of descriptive language the short stories of Lawson and poetry of Mackellar show that it is true that distinctively visual texts allow the reader to vividly imagine and gain insights into the characters, relationships and settings. Lonely drover’s wives, Bushmen and fettlers, as well as the setting of a sunburnt Australian landscape are brought to life and into unique relationship, in the visual imagery of Henry Lawson and Dorothea Mackellar’s compositions. Henry Lawson created a strong image of the uniquely Australian bush and the hardships of the people who have lived and worked there. The two important stories which reveal Lawson’s vision are, ‘In a Dry Season’ and ‘The Drover’s Wife’. He draws on the tradition of oral storytelling to make the bush come alive through colloquial language and idiom. Lawson uses a dry, sardonic humor to entertain and provoke empathy for his characters. His descriptions of the various settings are blunt but precise with illustrative adjectives and nouns of a “horrible” land. Contrastingly, the related text, Dorothea Mackellar’s poem, ‘My Country’, expresses a vivid and memorable panorama of place, drawing on a kaleidoscope palette of nouns, rhyme and first person perspective to ingrain in the reader’s imagination her passionate vision of the land and “love for her country, Australia.…
First of all, the theme of isolation is introduced and developed through the setting of Crow Lake. Set against the desolate terrain of northern Ontario, Crow Lake is a modest farming settlement that is “... linked to the outside world by one dusty road and the railroad tracks” (Lawson 9). Lawson’s deceivingly simple depiction portrays Crow Lake’s only connection to the rest of the world as meager and dysfunctional; therefore illustrating the undeniable isolation and confinement instilled on the entire community. It is also described as having merely “... a dozen or so farms, a general store, and a few modest houses... ”(Lawson 9) in addition to the church and the school. The lack of businesses and amenities reflect an absence of urbanization, commercialization, industrialization, and technological realization. All of these reinforce Crow Lake to be segregated and disconnected from the rest of society. The theme of isolation is also developed through the individual seclusion of every family in Crow Lake. For example, the Morrisons’ closest neighbours were the Pyes, who lived on a farm a…
In this passage the “hunters”, which is a group of boys that Jack Merridew is in charge of, let out the fire that they were supposed to be keeping watch of. The fire was the only thing that showed others that there is people on the island, that was their only way home. The fire seemed to almost be a sense of relief, just knowing that they have a way to signal others, and to show they were alive. When Ralph, the chief of the group, finds out about the fire he gets angry and frustrated because that was their only job and they failed.…
In the beginning of the story, Rainsford, Whitney, Captain Nielsen, the crew are sailing on a dark night. Rainsford describes the night as “moist, black velvet.” They were sailing around an island known as ‘Ship-Trap Island’, which readers learn later on that the island withholds a jungle (which explains the humidity). The night is quiet,…
Immediately shown, a different writing style was used in Passage Two. Through the use of tone, the writer’s description of the Okefenokee Swamp is negative. The swamp is described as “vast and primeval, unfathomable, unconquerable, bastion of cottonmouth, rattlesnake and leech, mother of vegetation, father of mosquito, [and] soul of silt.” The writer uses pessimistic adjectives to show the audience the extremity of the swamp. The tone of the piece is…
In the first chapter of Lord of the Flies Golding uses the Island as an allegorical object, presenting the general overview of society and civilisation. The Island can be represented as the Garden of Eden; an innate place of perfection to be undisturbed and civil. It seems to be an idyllic place for some time with rules and order throughout, this is up until it is corrupted and nature is changed by the boys’ savage intentions. This relates to biblical themes of the Garden of Eden once corrupted by mankind (Adam & Eve). We also see a use of pathetic fallacy, the Island in this sense is more important than anything, it foreshadows the events which are beginning to unfold. Throughout both pieces of Literature Shakespeare and Golding use religious beliefs and values; in Macbeth the uses of supernatural creatures like the witches represent a devil like figure. The strong Christian themes in the play and during Elizabethan times made them even more evil, Shakespeare conveys Lady Macbeth as the total opposite of what a women ‘should be’. She knows as a female she is limited because of her gender, she asked to be filled with cruelty which is ironic because she created the plan to kill the King. This point is significant in the quote “unsex me here”. Similarly you could argue the…
The wind was whistling as the sun had disappeared behind the noble mountains leaving a dark atmosphere of death in the cold, lonely, air. The distressing burial of the by-gone Lennie left a dull fog of depression that seeped through the ranch leaving dismal and unanswered questions. The configuration of the looming trees ganged upon George leaving him feeling guilt ridden.…
After exploring the island, Ralph's top priority is starting a signal fire so that the boys can be rescued by a passing ship. How do the others react to Ralph's insistence that they start a fire? What does this demonstrate about Ralph's leadership abilities?…
‘The conch was silent.’ Here Golding uses irony to show how the conch, the loudest material on the island, could be silent and be ‘forgotten’ at one point o time. The conch could symbolically represent the boys on the island as they being humans could yet become savages. The silence of the jungle portrays the evil among the hidden creatures in the forest. Beasts that could take over you entire soul and turn you into someone else. ‘The beast is within you’ is an absurd yet truthful line for the boys on the island.…
1 Many slept on deck Because of the day’s heat Or to watch a sunset They would never see again – Stretched out on blankets and pillows Against cabins and rails: Shirtless, in shorts, barefooted, Themselves a landscape Of milk-white flesh On a scoured and polished deck. Voices left their caves And silence fell from its shackles, Memories strayed From behind sunken eyes To look for shorelines – Peaks of mountains and green rivers That shared their secrets With storms and exiles.…