Fahrenheit 451 Imagery Analysis
"It was like coming into the cold marbled room of a mausoleum after the moon had set. Complete darkness, not a hint of the silver world outside, the windows tightly shut, the chamber a tomb world where no sound from the great city should penetrate “(9). Throughout Ray Bradbury’s novel, Fahrenheit 451, there are multiple instances of deep, meaningful imagery as presented in the preceding sentence. Bradbury’s Fahrenheit 451 is a dystopian novel which is set in a futuristic American society. The main character, Guy Montag, is a firefighter but not just any firefighter. In this future world books are burned, and the firefighters are responsible for burning books. Between the use of metaphors and similes Bradbury illustrates and embeds a clear
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Undoubtedly, imagery is one of the major elements that makes Fahrenheit 451 so memorable. The way Bradbury intertwines both similes and metaphors creates a flawless image of the setting. An example of this is when Guy and Clarisse are at the hospital and Bradbury compares Clarisse's stomach getting pumped to a snake going into her stomach: “They had this machine. They had two machines really. One of them slid down into your stomach like a black cobra down an echoing well looking for all the old water and the old time gathered there” (12). This implies that the “snake” is reviving Mildred after she has just attempted suicide. Another example of where imagery is represented by metaphors and similes is when Bradbury is comparing humans to tissues: "Well, after all, this is the age of the disposable tissue. Blow your nose on a person, wad them, flush them away, reach for another, blow, wad, flush" (15). This highlights that in this future society people are seen as disposable and that once one gets sick of an individual one can simply reach for someone else. All in all, Bradbury strategically uses both metaphors and similes in order to create imagery thought the
Undoubtedly, imagery is one of the major elements that makes Fahrenheit 451 so memorable. The way Bradbury intertwines both similes and metaphors creates a flawless image of the setting. An example of this is when Guy and Clarisse are at the hospital and Bradbury compares Clarisse's stomach getting pumped to a snake going into her stomach: “They had this machine. They had two machines really. One of them slid down into your stomach like a black cobra down an echoing well looking for all the old water and the old time gathered there” (12). This implies that the “snake” is reviving Mildred after she has just attempted suicide. Another example of where imagery is represented by metaphors and similes is when Bradbury is comparing humans to tissues: "Well, after all, this is the age of the disposable tissue. Blow your nose on a person, wad them, flush them away, reach for another, blow, wad, flush" (15). This highlights that in this future society people are seen as disposable and that once one gets sick of an individual one can simply reach for someone else. All in all, Bradbury strategically uses both metaphors and similes in order to create imagery thought the