Essay for the Sandpiper
Tragedy, in multiple views leads to grief, misery and may even cause emotional desensitization. However this solely depends on the cause of such tragedy. A simple tragedy exists as a result of the irony of combining diverse religion and cultures and is especially expressed in the story “Sandpiper”. Here author Ahdaf Soueif expresses cultural differences through the breaking relationship of a European writer and her Egyptian husband. Acquiescent undermine passivity
Being the protagonist, the narrator becomes the view point character in the story and this is where audience criticisms take place. From the beginning she seems to display a sort of weakness and compliance towards events; watching the waves swoop back into the sea; conforming to her lack of work and loss of identity ; “watching (her husband) vanish”, and watching her daughter “grow away” from herself. The sand image, as the story opens portrays her compliance-The way she did not wish to obstruct nature`s pattern of “one grain of sand” because of her movement. Later as Um Sabir (her “husband`s old nanny”) prevents her from doing any work, her feminine independence also appears to be deplored yet she simply accepts this fact and though seeming solemn, does not take any action. The reader soon becomes critical about such fragility. Notice how the writer mentions -“watch” her husband vanish. Due to her foreignness, she seemed to slowly fade away from her and her husband`s relationship and displays severe grief. However it appears indeed so absurd for the reader, because this narrator does not develop any sort of resistance to her dilemma. Furthermore her despondency grows gradually, and it seems that her daughter is being torn away from her the same way as with her husband. She simply pines her heart and the narrator grows a sort of dissent for the protagonist.
Sandpiper a coastal bird which cannot fly too high nor too far from the coastal region (due to its habitat and feeding habits) is a perfect name
Being the protagonist, the narrator becomes the view point character in the story and this is where audience criticisms take place. From the beginning she seems to display a sort of weakness and compliance towards events; watching the waves swoop back into the sea; conforming to her lack of work and loss of identity ; “watching (her husband) vanish”, and watching her daughter “grow away” from herself. The sand image, as the story opens portrays her compliance-The way she did not wish to obstruct nature`s pattern of “one grain of sand” because of her movement. Later as Um Sabir (her “husband`s old nanny”) prevents her from doing any work, her feminine independence also appears to be deplored yet she simply accepts this fact and though seeming solemn, does not take any action. The reader soon becomes critical about such fragility. Notice how the writer mentions -“watch” her husband vanish. Due to her foreignness, she seemed to slowly fade away from her and her husband`s relationship and displays severe grief. However it appears indeed so absurd for the reader, because this narrator does not develop any sort of resistance to her dilemma. Furthermore her despondency grows gradually, and it seems that her daughter is being torn away from her the same way as with her husband. She simply pines her heart and the narrator grows a sort of dissent for the protagonist.
Sandpiper a coastal bird which cannot fly too high nor too far from the coastal region (due to its habitat and feeding habits) is a perfect name