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Akio, a therapist, opened her own practice and prepared for a wedding when she was six months pregnant with Honoria. Santiago packed up his passport once Honoria arrived and became a stay at home dad. Except for the summer holidays when they traveled, the Lopez family built themselves a happy life in the vibrant west coast city. As an only child Honoria received a lot of undivided attention from both of her parents. They fostered any and every interest Honoria displayed. From finger painting to collecting shinny rocks, Santiago and Akio championed their daughter’s interest with equal levels of enthusiasm.…
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Edna, the owner of the apartment next door of Esperanza, has a daughter Ruthie. Ruthie came one day, it seemed, out of nowhere. She is the only adult Esperanza knows who still likes to play like a child. For example, Ruthie likes candy and doesn’t go inside the stores when they go shopping together. Ruthie is like a child who is stuck in an adult body. Also who is being sheltered by the adult world. This connects to the topic of how even adults can be trapped in a childish world and prevent one from growing up.…
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In the novel, “The House of the Spirits”, the author, Isabel Allende uses the symbolism of the house on the corner and the viewpoints of Esteban and Clara’s notebooks to show the reader that in order to understand the history of the Trueba family, multiple viewpoints must be taken into consideration.…
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Through critical and hopeful tone and uses of symbolism and imagery, Esperanza Cordero shows practice of art, whether it's painting or writing, can help to get through hardship, in The House on Mango Street. Esperanza uses symbolism and imagery to show the hardship she faced and to prove how she was…
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In 1984 Sandra Cisneros wrote the novella The House on Mango Street based on the narrator, Esperanza’s, first year living on Mango Street. A young Latino girl, by the name of Esperanza, is growing up in the suburbs of Chicago and is determined to leave her life on Mango Street in her past. In this novella Cisneros explores the effect of loss of innocence on Mango Street. The roles of women and how they treat each other is highly prominent in The House on Mango Street. Throughout Esperanza’s year on Mango Street she begins to realize that women have a responsibility to not harm each other but to help.…
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The House on Mango Street is the “coming of age” story of a Mexican-American girl named Esperanza Cordero. The story covers a year in Esperanza's life starting with when she moved to the house on mango street. As the year progresses Esperanza grows emotionally and artistically, as the novel roams through her experience of life. Esperanza, her friends (Rachel, Lucy), and her sister Nenny have many adventures throughout the book. Esperanza has many life experiences including the art of poetry and music also the downsides of poverty and shame. Although the novel includes unforgettable men it also includes women who a trapped in many ways. For Example, Mamacita does not leave the apartment b/c she is afraid of the English language. Rafaela who…
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Alicia is Esperanza’s friend. She likes writing. She always studies all the night otherwise she would have a life like her mother. She wants happiness, her own life and to do the things whatever she wants. “Alicia, who inherited her mama’s rolling pin and sleepiness, is young and smart and studies for the first time at the university. Two trains and a bus, because she doesn’t want to spend her whole life in a factory or behind a rolling pin,”(31-32). Alicia is very young; she still has a chance to achieve her dreams. She knows if she wants stay away the life like her mother’s which is doing boring works in the factory, she needs to keep studying and writing. She believes that keeping writing can make a big change on her life. she can get a better life and a life with more freedom.…
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Esperanza’s great-grandmother “looked out the window her whole life, the way so many sit their sadness on an elbow” (Cisneros 11) and Rafaela—her neighbor—“gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” (Cisneros 79). Themes of spousal abuse arise as the home becomes a “prison…guarded first by domineering fathers, and second by domineering husbands” (Pagán). Esperanza does not experience this imprisonment herself, but vows to get “[A] house all my own…Not a man’s house. Not a daddy’s” (Cisneros 108). This promise comes after Esperanza sees the other female figures in her life being oppressed, particularly Sally—a classmate—who “got married…young and not ready…she is happy…expect he won’t let her talk on the telephone. And he doesn’t let her look out the window” (Cisneros 102). Esperanza’s refusal to conform to her cultural belief is a result of the homes being a symbol for imprisonment and…
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The Three Sisters tell Esperanza that even when she’s moved onto a new destiny, she must always return to Mago Street and appreciate that this was the place that shaped her new life. When told this, Esperanza “didn’t know what to say, It was as if she could read [her] mind, as if she knew what [Esperanza] had wished for, and [she] felt ashamed for having made such a selfish wish” (105). The Three Sisters are one of the most important guide figures in the whole novel, because they encourage Esperanza and lead her to recognize that her main goal of leaving and feeling like she didn’t belong on Mango Street, was really a false quest.…
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Sigmund Freud said, “A woman should soften but not weaken a man.” This quote exemplifies the character Casilda from Isabel Allende’s short story “The Judge’s Wife”. Although not seen by all as a main character, Casilda is the strongest and most evolutionary character of the short story. “The Judge’s Wife” is an exceptional tale that follows the progression of characters as they fight against their predetermined destinies and how they are viewed in others’ eyes. Casilda is a catalyst for the evolution of almost every character in the story. Not only does her character grow in “The Judge’s Wife”, but she is also a medium for the growth of the two other main characters in the story, Judge Hidalgo and Nicolas Vidal.…
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Changed into someone who grew from her mistakes, learned from her experiences, and changed from influences around her. When Esperanza goes to a carnival with one of her friends, Sally, Esperanza encounters a very uncomfortable situation for her. “Sally, you lied. It wasn’t what you said at all. What he did. Where he touched me. I didn’t want it, Sally. The way they said it, the way it’s supposed to be, all the storybooks and movies, why did you lie to me” (Cisneros 72)? If this situation never had happened, Esperanza wouldn’t grow and learn from this. She grows more aware of who she is as a woman. She obviously does not like the situation she is put in so she will understand what happened to her, use that and put that towards her future. Next, Esperanza used all of her stories and realized who she is as a woman. Who she wants to be, what she wants her life to be. Not anybody telling her how to live it. “Not a flat. Not an apartment in back. Not a man’s house. Not a daddy’s. A house all my own. With my porch and my pillow, my pretty purple petunias. My books and my stories. My two shoes waiting beside the bed. Nobody to shake a stick at. Nobody’s garbage to pick up after” (Cisneros 78). Esperanza doesn’t want somebody telling her what to do everyday, or cleaning up after someone besides herself, or a man’s house. Her own…
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Meanwhile, Esperanza has made the wish that she wants to move out and get a new house, one lady tells her something that kept Esperanza thinking about her identity. Furthermore, the elderly appraises Esperanza that she should never forget what she lived on Mango Street because it is what is constructing her and it will always be a part of Esperanza’s personality. After these words were spoken, the author says, “They all looked at me as if I was the one that was crazy and made me feel ashamed (Cisneros 105).” Conversely, Esperanza is revealing a change in mind where she realizes that she is so busy trying to identify who she is that she forgets that the situations she is living in the present are the ones building her character (Cisneros).…
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I was nourished with love from my umbilical cord in my mother’s warm womb, spoon fed when I was able to feed and hand held when I could walk; I was akin to my parents from my conception, as I was their child. But, soon I was riding a bicycle by myself while my father stood and watch, I was placed on the school bus by myself while my mother waved me goodbye, in less than a year, my parents together will send me off to school by myself. From a tender age, still being a mere child, my parents have engraved the nature of independence in me, a key quality of maturity. An essential proponent of the transition to adulthood is obtaining true independence.…
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Esperanza is not a significant supporter of the gender positions that continue to keep women in her neighborhood demoralized. The men on Mango Street abuse not only their wives but also their daughters and imprison them in the home. Many times just being a woman can cause reason for such abuse. This is a fact that can be observed in the beatings which unfortunately Sally continuously gets, and also in the rape of Esperanza. Esperanza presents us with an analysis of the way men and women relate to each other and refuse to abide by the demands applied to her sex by marriage or perhaps acting in a womanly way. For our character, disobeying gender position and staying independent is considered an act of rebellion as well as a source of power.…
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The parents are there to nurture, love and care for the child. Most parents want their child to succeed and have the best life possible. This influence starts from the child being born. This is also known as the attachment…
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