Descriptive Essay: The First Room Of Ash-Lawn Highlands
Ash-Lawn Highlands’ first bedroom, on the right side of the structure, belonged to Monroe’s oldest daughter, there is a blue, yellow, red, orange, and green striped rug on its floor. The walls are covered in decorative French wallpaper that depicts lines of pink and green leaves with berries. Green and pink border lines the edges of the wallpaper. Joining the wall to the ceiling is a white wooden fascia, which contains decorative moldings. White smooth plaster assembles the room’s ceiling that contains a smoke detector and sensor above the room’s doorway. The wooden door frame is painted white and contains architrave trim. Within the room is a fireplace with a stone hearth, which connects to a golden metal grate. The painted black metal cheek
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The plaster walls are painted blue and decoratively covered with a colonial classical border that lines the walls sidings. The wall in the dining room divides into two parts by a white fascia board. Two electric lamps are installed symmetrically in the room’s western wall. The four doorways in the room all feature white painted architrave trim and wooden doorframes. The doorways on the eastern wall connect the room to the entrance hall and master bedroom. On the north wall, a doorway connects the room to Monroe’s office. The doorway on the west wall adjoins the original house with the Victorian addition. The only window in the room is assembled of a wooden frame that consists of three panels at its base. While, the ceiling is symmetrical to the other rooms, the center of the dining room’s ceiling has been fitted with an electric chandelier. The dining room’s fireplace is centered on the eastern wall and is the most elaborately decorated fireplace in the structure. Essentially, the fireplace is similar to the other fireplaces in the original portion of the house, with the exception of the plastered pilasters which attaches to the surround on the fireplace. The pilasters support the full entablature of the mantel, which is lined with dentils and a decorative sunburst surround’s
The plaster walls are painted blue and decoratively covered with a colonial classical border that lines the walls sidings. The wall in the dining room divides into two parts by a white fascia board. Two electric lamps are installed symmetrically in the room’s western wall. The four doorways in the room all feature white painted architrave trim and wooden doorframes. The doorways on the eastern wall connect the room to the entrance hall and master bedroom. On the north wall, a doorway connects the room to Monroe’s office. The doorway on the west wall adjoins the original house with the Victorian addition. The only window in the room is assembled of a wooden frame that consists of three panels at its base. While, the ceiling is symmetrical to the other rooms, the center of the dining room’s ceiling has been fitted with an electric chandelier. The dining room’s fireplace is centered on the eastern wall and is the most elaborately decorated fireplace in the structure. Essentially, the fireplace is similar to the other fireplaces in the original portion of the house, with the exception of the plastered pilasters which attaches to the surround on the fireplace. The pilasters support the full entablature of the mantel, which is lined with dentils and a decorative sunburst surround’s