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References: Alighieri, D. (2006). The divine comedy: The originals. Hayes Barton Press; Raleigh, N.C.Retrieved September 15, 2011 from http://myeclassonline…
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In the first Canto, Dante realizes he is lost. He says that he does not remember how he lost his way, but he has wandered into a fearful place, a dark and tangled valley. Above, he sees a great hill that seems to offer protection from the shadowed vale. The sun shines down from this hilltop, and Dante attempts to climb toward the light. As he climbs,…
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Dante and Virgil are outside the eighth Circle of Hell, known as Malebolge. The circle has a wall along the outside, and has a circular pit in the center. The ridges create ten separate pits. This is where the people receive their punishment for fraud. This is where Virgil and Dante see souls from one side to another. The demons with great whips cause pain to the souls when they come to the demon’s reach, which then force the souls to the other ridge. There is an Italian that Dante recognize and he speaks to him. The Italian tells Dante that he lived in Bologna, and now is there to sell his sister. The pit is for the Seducers and the Panders, and then Dante saw the Jason of mythology who abandoned Medea. When Virgil and Dante had…
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Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave" in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of each of these elements in both allegories will provide an interesting comparison. Dante uses allegory to relate the sinner's punishment to his sin, while Plato uses allegory to discuss ignorance and knowledge. Dante's Inferno describes the descent through Hell from the upper level of the opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a hierarchy of evil. Conversely, Plato's "Allegory of the Cave" describes the ascent from ignorance to knowledge, as one prisoner is freed to make his way up towards the opening of the cave and experiences sunlight, the unavoidable truth. Symbolism is an essential element of both works. In Plato's allegory symbols are used to represent truth, ignorance, society and the fear of change. Truth is represented by the sun, while ignorance is represented by the cave, its limited vision and darkness within. The prisoners represent ignorant members of society who are content to believe that what they see is all that exists. Fear of change is represented by the prisoners angry reaction towards the freed, enlightened prisoner. Dante's Inferno is a detailed description of sin and its relationship to degrees of punishment. As stated in the text, "...for the face was reversed on the neck, and they came on backwards, staring backwards at their loins for to look before them was forbidden." (Ciardi, pg. 175) This quote describes the punishment for fortune tellers. In life the fortune tellers foresaw the future. In death they are doomed to exist with their heads on backwards and their eyes overflowing with tears so that not only could they not see what was happening in front of them, but they could not see at all due to these copious amounts of tears. Similarly, each sin had its own logical punishment, and each group…
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Dante’s journey began by meeting Virgil who is described throughout the story as Dante’s guide, master, teacher, protector and Lord. Virgil stated to Dante, “I think it well you follow me and I will be your guide and lead you forth through an eternal place.” “There you shall see the ancient spirits tried in endless pain,” (Canto I:105-110)…
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Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the poet Virgil, and this is Dante’s first homage to Greco-Roman mythology. The second reference is the actual descent into the underworld. This reference is pulled directly from Homer’s Odyssey and Virgil’s Aeneid and Dante constructs his vision of the underworld with the help of Virgil’s seminal text. Because there are so many classical references in Inferno, the other references that are focused on in this paper are ones that show Dante’s breadth of allusion, as he draws on mythology described in Ovid’s Metamorphoses and other parts of the Aeneid.…
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In The Inferno - Dante’s Immortal Drama of a Journey Through Hell, Dante allows the reader to experience his every move. His mastery of language, his sensitivity to the sights and sounds of nature, and his infinite store of knowledge allow him to capture and draw the reader into the realm of the terrestrial hell. In Canto 6, the Gluttons; Canto 13, the Violent Against Themselves; and Canto 23, the Hypocrites; Dante excels in his detailed portrayal of the supernatural world of hell. In each canto, Dante combines his mastery of language with his sensitivity to the sights and sounds of nature to set the stage. He then reinforces the image with examples that call upon his infinite store of knowledge, and thus draw a parallel that describes the experience in a further, although more subliminal, detail to the reader.…
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Canto X of Dante Alighieri’s Inferno starts with Virgil and Dante on their way to the sixth circle. The sixth circle is where the tombs of those who believe that the soul dies with the body are put. We call them Epicureans. Dante then meets two Epicureans. The first one, Farinata degli Uberti notices Dante because of his accent. Farinata asks who his ancestors are and finds out that they were his enemies. The conversation goes on until another Epicurean appears, Cavalcante dei Cavalcanti. Dante and Cavalcante know each because Guido, the son of Cavalcante is good friends with Dante and he married Beatrice. Cavalcante then asks why his son isn’t with him. Dante gives a reply that makes Cavalcante think that his son is dead. After hearing this, Cavalcante got depressed and went back to his place. Dante realizes that those who are in the sixth circle can only see the future. Farinata and Dante continue their conversation then Virgil calls Dante and tells him that they get going. Dante was left with curiousity as he and Virgil walk a path that disgusted them.…
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Imagine a place where tyrants stand up to their ears in boiling blood, the gluttonous experience monsoons of human filth, and those who commit sins of the flesh are blown about like pieces of paper in a never-ending wind storm. Welcome to Dante 's Inferno, his perspective on the appropriate punishments for those who are destined to hell for all eternity. Dante attempts to make the punishments fit the crimes, but because it is Dante dealing out the tortures and not God, the punishments will never be perfect because by nature, man is an imperfect creature. Only God is capable of being above reproach and of metering out a just punishment. While Dante 's treatment towards the tyrants is fitting, his views on the inhabitants of the Ante Inferno and Limbo seem to be backwards and these poor people are doomed to suffer misguided punishments. Therefore, despite Dante 's best attempts to justly punish each sinner, he makes a few mistakes because he is not God and Dante is unable to unbiasedly judge each sinner.…
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In Canto XIII, Dante enters the second subcircle of the seventh ring of Hell, reserved for those who commit violence against themselves. Here, the contrapasso of suicide is becoming a part of the thorned and treacherous woods. Although this seems odd as the idea of a contrapasso is, “the punishment fits the crime,” and other punishments seem much harsher, the real workings of the contrapasso are shown once Dante speaks to the souls. Here it is revealed to Dante that these souls are constantly reminded that they have willingly given up what is most important to them, their identity. In turn, they must suffer for abandoning the bond that existed between them and God.…
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Gustave Doré is a prime example of the type of images Dante tried to depict while writing “Dante’s inferno.” Dante wanted the emotion of the story to be dark and not at all bright or cheerful. When I view William Blake’s drawings I don’t feel frightened, petrified or even scared. He constructed his pictures in a bright cheerful and that takes away the feeling that Dante tried to create. I feel if William Blake didn’t fill his pictures with color and darkened up his sky, the pictures would have the same emotion that the story depicts.…
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The Inferno follows the wanderings of the poet Dante as he strays off the rightful and straight path of moral truth and gets lost in a dark wood. Just as three wild animals threaten to attack him, Dante is rescued by the ghost of Virgil, a celebrated Roman poet and also Dante’s idol. When asked why in hell (pun intended) he came, Virgil answers that the head honchos of Heaven – the Virgin Mary and Santa Lucia – felt sorry for Dante and asked the deceased love-of-Dante’s-life, Beatrice, to send someone down to help him. She sent Violia and Virgil to his rescue.…
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When he did try to climb out of the darkness to the hilltop where he could see sunlight, his path was blocked by beasts – first a leopard, secondly a lion and thirdly a she-wolf. He then saw Virgil, the poet that wrote the Aeneid, who agreed to be his guide through Hell and Purgatory. The significance of Canto 1 is the symbolic or underlying meaning to the words. Dante had been going through life without thought to how he was living. He apparently was…
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Throughout history there have been poets and directors who have influenced others in the arts and moved audiences all over the world. Poet Dante Alighieri and director Frank Capra have produced works that tell a part of the history from their time period through partially fictional stories. They used their passion in the arts to reflect on social conditions and show how those who fall into evil will suffer and those who stay morally and ethically true to themselves will find paradise in the end. Looking at Dante’s poem the Inferno and Frank’s film It’s a Wonderful Life one can see how when the government is facing problems people with power have a history of becoming deceitful, greedy and malicious and how during these times people turn to…
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Dante Alighieri, an Italian poet, was born in Florence in 1265. The exact day of his birth and death is unknown. He was born into a noble family with a no fortune. He may have attended the University of Bologna, and around the age of twenty he married Gemma Donati, with her he had several children. He began writing poetry at a very young age. After he was exiled from Florence he wrote the epic poem, Divine Comedy. It is believed that some of the epic poem, of the Inferno was written about the people in his life that wronged him. Dante the poet creates Dante the character in the Inferno. Dante, the character, in the Fourth Bolgia is in an astonishing disbelief by the punishment of the sinners in the Eighth Circle of Hell.…
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