The Inferno is probably the most realistic section of the Divine Comedy because it comes closer to fitting the people's perception of what Hell is really like then than Purgatory and Paradise do. People's mental image of Hell is an evil, dark, and scary place that is full of fire and that is exactly the way Dante depicts it. People are eager to see, hear, and read about violence, blood, and gore and the Inferno is full of it which helps the reader to pay closer attention to it. In a sense Dante is trying to scare the righteousness into people. Dante himself became scared when he read the inscription above the gate of Hell that read "ABANDON EVERY HOPE, YOU WHO ENTER HERE" because he did not realize that the inscription was only intended for those who had already died. The…
Dante and Virgil are outside the eighth Circle of Hell, known as Malebolge. The circle has a wall along the outside, and has a circular pit in the center. The ridges create ten separate pits. This is where the people receive their punishment for fraud. This is where Virgil and Dante see souls from one side to another. The demons with great whips cause pain to the souls when they come to the demon’s reach, which then force the souls to the other ridge. There is an Italian that Dante recognize and he speaks to him. The Italian tells Dante that he lived in Bologna, and now is there to sell his sister. The pit is for the Seducers and the Panders, and then Dante saw the Jason of mythology who abandoned Medea. When Virgil and Dante had…
The Inferno follows the wanderings of the poet Dante Alighieri's poem, the Divine Comedy, which chronicles Dante's journey to God, and is made up of the Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise).…
The development of Dante begins in the first Canto when he is lost in some woods and Virgil appears to him. Dante character in the first Canto shows fear on two occasions. The first sign of fear he expresses is when he tries to travel down the path towards paradise and the she wolf shows herself. Dante demonstrates his fear again when Virgil appears, as Dante yells “have pity on me…..whatever you may be- a shade, a man.” Dante’s dialogue shows his fear as he asks for mercy, before knowing whether or not the being that appeared to him wanted to harm him. As Dante and Virgil began to approach the entrance of hell, Dante began shows to fear as he begins wondering whether or not he should make the journey. Dante begins thinking about how Aeneas and St. Paul made the journey and begins doubting believes that he too should be included in this group. Virgil reproves Dante for his fear and tells him to have courage as Beatrice, the Virgin Mary, and St. Lucia all care for him. Dante upon hearing this decides that he is ready to begin his journey and tells Virgil to lead on. In the first two Cantos, Dante develops his character into a coward as he fears…
In Dante's Inferno, Hell is described in vivid detail in the eyes of Dante, the main character and author. Sinners are eternally punished with tortures that fit their sins. This idea of retributive justice and the role of human reason in the form of Virgil are the two main themes in the poem. Canto VIII contains Dis, the capital of Hell and is most representative of these themes.…
Dante’s journey through hell represents the different evils that identify with humanity. Each sinner will be punished in capacity befitting their crimes: the chief sin…
In the epic poem, The Divine Comedy, Dante Alighieri paints a vivid picture of hell, purgatory, and heaven while including his own interpretation of society. While looking particularly into the Inferno, the reader is given a true insight to the inner workings of Dante Alighieri’s mind as he assigns certain punishments to particular sinners from his time period. Dante arranges hell into nine circles and places sinners into each circle based on what evils they took part in when they were alive. In each circle there are different rings, which account for particular sins and their punishments. As Virgil guides the character Dante further into hell, the severity of the punishments increase steadily. The progression of the severity of sins moves from incontinence to violence and then fraudulence. The final circle of hell is designated for the traitors, and the sinners in this section receive the most gruesome punishment. The number three is a reoccurring factor in much of The Divine Comedy. For example, there are three sections of the epic poem with each containing 33 cantos. The emphasis of the number three reflects greatly upon Dante’s religious standing and shows his great respect to the divine trinity. In Canto XV, Dante becomes familiar with the sodomites who are categorized within sins against nature in Circle VII. Dante and Virgil view the sodomites as they walk through the burning sands. Dante sees Brunetto Latini, who introduced Dante into philosophy in his teenage years and was very important to his overall education (Wilson 67), and chats with him about his beloved city of Florence. It is important to note the extreme respect Dante feels for Brunetto Latini, despite Brunetto’s sin and his condition from the fire in this ring of hell. Canto XVI begins as Virgil leads Dante into the third ring of the seventh circle in hell which is still designated for men guilty of Sodom.…
Virgil- Beatrice sends Virgil to Earth to retrieve Dante and act as his guide through Hell and Purgatory. Since the poet Virgil lived before Christianity, he dwells in Limbo (Ante-Inferno) with other righteous non-Christians. As author, Dante chooses the character Virgil to act as his guide because he admired Virgil's work above all other poets and because Virgil had written of a similar journey through the underworld. Thus, Virgil's character knows the way through Hell and can act as Dante's knowledgeable guide while he struggles alongside Dante when they enter Purgatory together for the first time. As a spirit, Virgil suffers no physical pain and moves through Hell and Purgatory without effort. However, he must make arrangements for Dante to cross chasms, rivers, and walls because Dante retains his physical form. Dante's physical presence gives clues, such as casting a shadow and displacing rocks, that indicate to the spirits that Dante is still alive. The fact that Dante is alive angers many of the spirits, especially the guardians of the underworld, so Virgil also serves as Dante's protector as he warns Dante's would-be foes that their journey was predestined in Heaven.…
Dante records journey through hell in the book "The Inferno." Dante's poem records is thoughts and views of the punishments to get to hell and the sins accomplished to get their. Dante breaks down the lay out all the way through hell and give one an idea of the order that the punishments fall to be placed closer to the center of hell. Dante begins during the era of the middle Ages and shows the reader throughout poem of the dominance of the Roman Catholic Church through the Renaissance era.…
Dante’s Inferno is an epic poem chronicling Dante and Virgil’s journey throughout the depths of the underworld, observing every facet of Hell, every level of sin and it’s corresponding punishment. The deeper the poets venture into the Earth, the more heinous the crimes become. Finally, the poets encounter Satan, who himself punishes traitors, whose crimes are considered the most lowly. Dante uses the circles of Hell to discourage his readers from…
Robert Herrick, an English poet, once said, “Hell is no other but a soundlesse pit, where no one beame of comfort peeps in it.” Picture any type of Hell with relief, happiness, or even the smallest crack of a smile. There is no place. In fact, one can only think of the complete opposite, whether it is a Hell filled with neglect, pain, disgust, or a never-ending life of horror. This is the place created by Dante Alighieri; The Inferno is exactly the type of Hell where no person would want to be. Even those who acted upon the lightest of sins suffered greatly. While each realm contained a different sinner, the punishment that each were forced to face was cruel, repulsive, and sometimes rather disgusting. Through grieving tears without an exit, unbearably itchy scabs, and a putrid, slushy ground, Dante uses vivid imagery to describe the various realms of Hell.…
Inferno is Dante’s first poem in his The Divine Comedy. The poem starts with Dante traveling in dark where he loses his way. He is trying to get to his beloved Beatrice who is waiting for him. She sends ghost of Virgil to bring Dante to her. In order to get to Heaven, Dante will have to go through heaven, something that almost everyone did in Christian world. At the beginning, they enter the gate of hell. The First Circle of the Hell is for those people who never done anything good or bad in their life, here they run all day long with hornets biting them. In the Second Circle of the Hell, Dante sees that the some souls are stuck in a devastating storm. In the Third Circle of Hell, Dante sees that Gluttonous…
Dante’s Inferno depicts all the different types of major sins you can commit in your lifetime and the punishments you will endure thereafter. Dante had a system for these punishments that worked on the idea of divine justice. Basically, whatever temptations you succumbed to, you will be punished in a deserving manner based on how bad the sin was. Dante’s 9 circles were in order from bad to worse, 9 being the worst.…
Hell is conceived by Dante as a giant chasm in a conical shape that opens from Jerusalem to the center of the earth. Hell is divided into nine concentric circles that extend up to the frozen lake of Cocytus , where Lucifer, the prince of darkness, had been put.…
Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the poet Virgil, and this is Dante’s first homage to Greco-Roman mythology. The second reference is the actual descent into the underworld. This reference is pulled directly from Homer’s Odyssey and Virgil’s Aeneid and Dante constructs his vision of the underworld with the help of Virgil’s seminal text. Because there are so many classical references in Inferno, the other references that are focused on in this paper are ones that show Dante’s breadth of allusion, as he draws on mythology described in Ovid’s Metamorphoses and other parts of the Aeneid.…