‘Dancing at Lughnasa’, dramatic techniques and devices * Foreshadowing – through the use of devices (see below) or narrative; Friel often hints at what comes later in the play, sometimes sneaky – in the first dialogue for example, Chris says “When are we going to get a decent mirror to see ourselves in?” – this could be interpreted as Friel showing that the women are blind to the world around them, to their own inner trouble, and just how close their family is to the blink of collapse. It is a good line for Friel to highlight that at this moment in time, everything is as it should be and nothing has crumbled yet, but it will, and the sisters cannot foretell it. * Use of symbolic devices …show more content…
Why is it that Friel wants Agnes to fly up in a passion, ‘on the point of tears’ when Kate is badmouthing Gerry, but the situation between them is never explored in more detail? It makes the false memory concept all the more interesting, as the audience can forget that this is what Michael is supposed to remember as ‘more real than incident’ and ‘both actual and …show more content…
This is a surreal concept, but both helps the audience remember that the whole play is Michael’s memory; “When I cast my mind back”… and also foreshadows Michael’s absence and escape later on in the play, or as a boy, his lack of understanding of the situation. Alternatively, it again highlights the surreal concept that Michael can remember things that may or may not have happened as he is not present in those