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Constructivism

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Constructivism
Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1919, which was a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century, influencing major trends such as Bauhaus and De Stijl movement. Its influence was pervasive, with major impacts upon architecture, graphic and industrial design, theatre, film, dance, fashion and to some extent music.
As much as involving itself in designs for industry, the Constructivists worked on public festivals and street designs for the post-October revolution Bolshevik government. Perhaps the most famous of these was in Vitebsk, where Malevich 's UNOVIS Group painted propaganda plaques and buildings (the best known being El Lissitzky 's poster Beat the Whites with the Red Wedge (1919)). Inspired by Vladimir Mayakovsky 's declaration 'the streets our brushes, the squares our palettes ', artists and designers participated in public life during the Civil War. A striking instance was the proposed festival for the Comintern congress in 1921 by Alexander Vesnin and Liubov Popova, which resembled the constructions of the OBMOKhU exhibition as well as their work for the theatre. There was a great deal of overlap during this period between Constructivism and Proletkult, the ideas of which concerning the need to create an entirely new culture struck a chord with the Constructivists. In addition some Constructivists were heavily involved in the 'ROSTA Windows ', a Bolshevik public information campaign of around 1920. Some of the most famous of these were by the poet-painter Vladimir Mayakovsky and Vladimir Lebedev.
The constructivists tried to create works that would make the viewer an active viewer of the artwork. In this it had similarities with the Russian Formalists ' theory of 'making strange ', and accordingly their main theorist Viktor Shklovsky worked



References: 1. ^ Catherine Cooke, Russian Avant-Garde: Theories of Art, Architecture and the City, Academy Editions, 1995, Page 106. 2. ^ Honour, H. and Fleming, J. (2009) A World History of Art. 7th edn. London: Laurence King Publishing, p. 819. ISBN 9781856695848 3. ^ Janson, H.W. (1995) History of Art. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 820. ISBN 0500237018 4. ^ Oliver Stallybrass, and Alan Bullock (et al.) (1988). The Fontana Dictionary of Modern Thought (Paperback|format= requires |url= (help)). Fontana press. p. 918 pages. ISBN 0-00-686129-6. 5. ^ Ushev, Theodore (2006). "Tower Bawher". Animated short. National Film Board of Camada. Retrieved 2009-09-10.

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