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Connotation In London

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Connotation In London
Imagery, and Meaning of London by William Blake
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DeVry University
LTRE 427: Studies in Poetry
July 27, 2014

Words are able to give a poem much more meaning and imagery if used in the correct context. The use of denotation and connotation help poets achieve how its audience perceives a poem. Both tools build imagery; it can give much more meaning to the words and create more than just a poem. In few to little words, a larger story can be told.
Denotation and Connotation
In the poem titled London, the poet William Blake uses many denotations and connotations that stand out to the reader. The word “chartered” is used twice in the first stanza. As a denotation, chartered can mean “a written grant or a certificate of incorporation,” in which an institutions’ rights and privileges are defined (Kennedy, page 74). How the word “chartered” is used, it gives the suggestion or connotation of limitation existing.
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Bringing in the river Thames into the poem also creates the image of restriction. Rivers are restricted to only flow in one direction. Therefore, the government wants its citizens to go by the one law. Another denotation and connotation used in London is with the word “black’ning.” It is used in the third stanza within the first two lines, “How the chimney-sweeper’s cry Every black’ning church appalls.” As a denotation the word black’ning means that it’s becoming or being made black or dark. It also means damaged or destroyed. As a connotation within the poem it means that the church is becoming dark isn’t as pure as it used to

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