Concepts of Love in Shakespeare's "The Taming of the Shrew"
Concepts of love in Shakespeare 's "The Taming of the Shrew"
1. Introduction
In Shakespeare 's comedy "The Taming of the Shrew", the audience becomes aware of a variety of different love concepts. Such as romantic and rational love, mature and immature love, intimate and reserved love, paternal love and the love of a daughter. These concepts are represented by the different characters and are contrasted with each other.
I will sum up the play and furthermore elaborate on the contrast between the conventional and social accepted love and the unconventional love, which is looked down upon by society.
2. Summary of the play
The comedy consists of an induction and five acts. The play ends with a short scene, which one might call an epilogue. The induction and the "epilogue" serve as frame for the real comedy.
2.1 The induction
Christopher Sly, a drunken tinker, is turned out of an alehouse by the hostess. A lord and his train, who return from hunting, find Sly sleeping. For his own amusement the lord has sly taken to his castle. There the tinker shall awake and be told and treated as if he is the lord of that household. Along coming actors are invited to come to the castle and play in front of the "new" lord Sly, who does not really find his way around in his new situation, in order to cheer him up.
2.2 The comedy
The young Lucentio, son of the rich Vincentio from Pisa, arrived at Padua to start his studies. At first sight he falls in love with Bianca, the daughter of the old Baptista, who looks for a wealthy son-in-law. Before Bianca can marry, Baptitsta wants to find a husband for his older daughter Katherina. But Katherina has no admirers, or better, men get out of her way, because she is rebellious and high-spirited.
Petruchio, a nobleman from Verona, is interested in Katherina, to whom it seems as a task to tame her. By reacting fundamentally cruder than Katherina and repaying her doubly for what she says or does, he enforces in a quite
1. Introduction
In Shakespeare 's comedy "The Taming of the Shrew", the audience becomes aware of a variety of different love concepts. Such as romantic and rational love, mature and immature love, intimate and reserved love, paternal love and the love of a daughter. These concepts are represented by the different characters and are contrasted with each other.
I will sum up the play and furthermore elaborate on the contrast between the conventional and social accepted love and the unconventional love, which is looked down upon by society.
2. Summary of the play
The comedy consists of an induction and five acts. The play ends with a short scene, which one might call an epilogue. The induction and the "epilogue" serve as frame for the real comedy.
2.1 The induction
Christopher Sly, a drunken tinker, is turned out of an alehouse by the hostess. A lord and his train, who return from hunting, find Sly sleeping. For his own amusement the lord has sly taken to his castle. There the tinker shall awake and be told and treated as if he is the lord of that household. Along coming actors are invited to come to the castle and play in front of the "new" lord Sly, who does not really find his way around in his new situation, in order to cheer him up.
2.2 The comedy
The young Lucentio, son of the rich Vincentio from Pisa, arrived at Padua to start his studies. At first sight he falls in love with Bianca, the daughter of the old Baptista, who looks for a wealthy son-in-law. Before Bianca can marry, Baptitsta wants to find a husband for his older daughter Katherina. But Katherina has no admirers, or better, men get out of her way, because she is rebellious and high-spirited.
Petruchio, a nobleman from Verona, is interested in Katherina, to whom it seems as a task to tame her. By reacting fundamentally cruder than Katherina and repaying her doubly for what she says or does, he enforces in a quite
Bibliography: Hillegass, L. L., The Taming of the Shrew – Notes (Lincoln, Nebraska, 1971), Cliffs Notes. Schomburg, Elias Hugo, The Taming of the Shrew – Eine Studie zu Shakespeares Kunst (Halle a. S., 1904). II.2 Chapters Dash, Irene G., "Challenging Patterns – The Taming of the Shrew", in: Wooing, Wedding and Power: Women in Shakespeare 's Plays (New York, 1981), pp Rohrsen, Peter, "The Taming of the Shrew", in: Die Preisrede auf die Geliebte in Shakespeares Komödien und Romanzen (Heidelberg, 1977), pp. 228-231. Tillyard, E. M. W., "The Taming of the Shrew", in: Shakespeare 's Early Comedies (London, 1965), pp. 73-111.