Study online at quizlet.com/_bjsjx
1. 2.
(Figure 22-36) His remarkable sense of color and his ability to convey light through color emerge in the altarpiece, Assumption of the Virgin. Who was this artist? How did Michelangelo's David become a political statement?
Titian Titian
12.
3.
The placement of figure near the west door of the Palazzo della Signoria It portrays informal intimacy. With stern watchfulness before the battle By the placement of Judas on the same side as Christ and the other Disciples the Parthenon He grouped the figures in threes and they all expressed the same emotion.
In the scene, Creation of Adam, from the Sistine Chapel ceiling God and Adam confront each other in the primordial void. Adam is part of the earth while the Lord transcends the earth. Which of the following interpretations best describes this depiction? Increasingly artists of the High Renaissance paid particular attention to the subject's personality and psychic state. This could also be said to describe the portraiture of which of the following artists? Leonardo painted the Virgin of the Rocks, and it is said this work is a masterpiece in expressing emotional states. He modeled the figures with light and shadow--a technique he learned from earlier works. Which 15th century Italian artist would have influenced Leonardo? Leonardo's style fully emerges in the cartoon, Virgin and Child with Saint Anne and the Infant Saint John. Which of the following describes this work? Michelangelo's fascination with the human body was a lifelong pursuit. In his David he presented a perfect body with an attuned mind, prepared and ready for action. Which of the following descriptions of this work would support this statement? Michelangelo's interest in urban planning can be seen in ___________. Of the following, who was one of the most important Roman patrons of Michelangelo? Paul III convened the Council of Trent in 1545. It was part of which of the following? Raphael's Galatea is described as a pagan myth represented in monumental form. Which of the following could also describe this work? Sansovino was succeeded as chief architect of the Venetian republic by __________. The dome Bramante designed for St. Peter's in Rome would have resembled which of the following?
the humanist interpretation of the event
13.
Raphael
4.
How does the Portrait of the Artist's Sisters and Brother by Sofonisba Anguissola differ from her contemporaries? How has Michelangelo portrayed David?
14.
Masaccio
5.
6.
In Leonardo's Last Supper, how did the artist break with traditional iconography?
15.
The cartoon is ordered with pictorial logic and visual unity. It is a combination of Hellenistic excess and restrained emotion. the Palazzo del Tè Julius II
16.
7.
In Leonardo's Last Supper, the curved pediment above the head of Christ represents which of the following? In Leonardo's Last Supper, the numerous preparatory sketches and studies he made for the work indicate how carefully he thought about this work as a complete entity representing the entire story and its theme. Based on this which of the following would describe Leonardo's conceptualization of the figures from his Last Supper? In Raphael's Stanza della Segnatura, he reconciled the philosophies and teachings of Plato and Aristotle. Which of the following have also been reconciled? In Raphael's Stanza della Segnatura, which of the following two images represent Julius II? In the inner courtyard of the Palazzo del Tè, the architectural convention is so pronounced that it becomes a parody of classical design. Which of the following would describe this design?
8.
17.
18.
19.
9.
Rome and Florence
20.
the Hanseatic League It could be the poetry of the classical world. Michelangelo
10.
the humanist interpretation of the event The function of the building necessitated the design.
21.
11.
22.
Pantheon, Rome
23.
The major center for artistic development in the High Renaissance was ___________. The Neo-Platonic ideals of the Medici circle were most congenial to the thinking of which of the following artists? The Sistine ceiling represents which of the following themes? The term terribilita is most often used to refer to __________? Titian's Meeting of Bacchus and Ariadne was most likely inspired by ________. What is an Arcadian reverie?
Florence
36.
Which painter created dynamic compositions, often by means of swirling clouds and fitful light? Which sculptor believed that the artist must proceed by first finding the idea-the image--locked in the stone and then release it by chipping away the stone? Who commissioned the Tempietto?
Tintoretto
24.
Bronzino
37.
Michelangelo
25.
the chronology of Christianity Michelangelo Classical art
38.
Ferdinand and Isabella of Spain Isabella d'Este Perugino
26.
39.
27.
Who was instrumental in transforming the Mantua court into an important center for art and learning? Who was Raphael's teacher?
40.
28.
Idyllic place of rural, rustic peace and simplicity Painting meant to operate in a manner similar to poetry Raphael
29.
What is Poesia?
30.
Which artist applied for a position by telling his prospective patron that he could do the following, "contrive various and endless means of offence and defence... In time of peace I believe I can give perfect satisfaction and to the equal of any other in architecture and the composition of buildings ... and in guiding water from one place to another?" Which artist painted groups of soaring figures on the dome of Parma Cathedral that seemed to ascend through rings of clouds into the sky itself? Which of the following developed in 15th century Italy but fully matured in 16th century Italy? Which of the following sculptural conventions did Michelangelo use for the figure of Moses in order to create an expression of "awful wrath"? Which of the following was one of the favorite compositional devices of painters of the High Renaissance? Which of the following was the primary church for the Jesuits in Rome?
31.
Correggio
32.
perspectival systems The bulging muscles and swollen veins of the figure a pyramid
33.
34.
35.
St. Peter's
You May Also Find These Documents Helpful
-
In 1504 he was a member of the committee appointed to decide where Michelangelo’s David would be placed. His later work, especially as seen in a series on the life of St. Zenobius, witnessed a diminution of scale, expressively distorted figures, and a non-naturalistic use of colour reminiscent of the work of Fra Angrlico nearly a century earlier.…
- 2597 Words
- 11 Pages
Better Essays -
1) Chapter 21: The Renaissance in Quattrocento Italy a. The Early Renaissance in Italy (1400-1500) 2) Chapter 22: Renaissance and Mannerism in Cinquecento Italy a. The High and Late Renaissance in Italy (1500-1600) 3) Chapter 20: Late Medieval And Early Renaissance Northern Europe a. The Renaissance in Northern Europe in the 15th century 4) Chapter 23: High Renaissance and Mannerism in Northern Europe and Spain a. The Renaissance in Northern Europe in the 16th century 5) Chapter 24: The Baroque in Italy and Spain a. The Baroque 6) Chapter 25: The Baroque in Northern Europe a.…
- 387 Words
- 2 Pages
Satisfactory Essays -
“What spirit is so empty and blind, that it cannot recognize that the foot is more noble than the shoe, and skin more beautiful than the garment with which it is clothed” (Michelangelo). Michelangelo was one of the great artist who created great art during the Renaissance period. One of his most popular paintings is the Ceiling from the Sistine Chapel with the Creation of Adam being the main focal point. Art in the Renaissance period was more focused on the aspects of realism, humanism, and the prospective of what was created. Leonardo da Vinci was perhaps the most interesting artist of the Renaissance period; with that, he still holds presumably the most idealized painting in the world today, priced upwards of $1 Billion the Mona Lisa. Both…
- 230 Words
- 1 Page
Good Essays -
8. Michelangelo: Italian Renaissance artist that painted the Sistine Chapel ceiling and sculpted the statue of David…
- 361 Words
- 2 Pages
Satisfactory Essays -
Critics suggest that the way Michelangelo depicts the prophet Ezekiel as strong yet stressed, determined yet unsure is symbolic of Michelangelo’s sensitivity to the intrinsic complexity of the human condition. The most famous Sistine Chapel ceiling painting is the emotion-infused The Creation of Adam, in which God and Adam outstretch their hands to one another. Michelangelo continued to sculpt and paint until his death, although he increasingly worked on architectural projects as he aged: His work from 1520 to 1527 on the interior of the Medici Chapel in Florence included wall designs, windows and cornices that were unusual in their design as well as proportions and introduced startling variations on classical forms. Michelangelo also designed the iconic dome of St. Peter’s Basilica in Rome. Among his other masterpieces are Moses The Last Judgment and Day, Night, Dawn and Dusk. From the 1530s on, Michelangelo wrote poems; about 300 survive. Many incorporate the philosophy of Neo-Platonism–that a human soul, powered by love and ecstasy, can reunite with an almighty God—ideas that had been the subject of intense discussion while he was an adolescent living in Lorenzo de’ Medici’s household. After he left Florence permanently in 1534 for Rome, Michelangelo also wrote many…
- 852 Words
- 4 Pages
Good Essays -
When I reviewed the pieces done by Michelangelo I mainly focused of the function and nature of each piece, which allowed me to see how his pieces reflect on the view of creativity. As a whole, most of know the many pieces of art and drawings connect the viewer and the artist on the feeling and thoughts each one of them has. When you look at the pieces done by Michelangelo, you would feel ambiguity, which would project the beauty of the piece and the many different aspects that occurred during his life. In Michelangelo’s pieces, you can see many different types of design elements, which helps express his creativity to his…
- 296 Words
- 2 Pages
Good Essays -
Michelangelo’s David is very large in size, over fourteen feet tall. This makes him seem to loom over his admirers, and makes him a rather imposing figure. It is more than obvious that this David is naked, has no flaws, and seems to be in perfect health. The perfect man, if you will. All of this is typical of the Renaissance period in which he was carved. Michelangelo’s David seems to be pondering something very important, perhaps the meaning of life? He is not in a hurry to do anything, and he is not rushing off to do anything. In fact, he hardly looks like the famed warrior who slayed…
- 517 Words
- 3 Pages
Good Essays -
Michelangelo di Lodovico Buonarroti, along with Leonardo da Vinci, is considered to be the foundation of the Renaissance Florentine art. He has such an amazing artistic ability and eye for detail. The detail he put in to the Sistine Chapel is incredible. It is a flawless remarkable work of art. He labored hard exhausting years into painting the chapel. The Sistine Chapel is one of the most famous and inspiring works of art in the fifteenth century.…
- 1666 Words
- 7 Pages
Better Essays -
The Mona Lisa, created by Leonardo Da Vinci in 1503 c.e. and David, created by Michelangelo in 1501-04 highlight the late Renaissance artistry techniques and the renewed desire to capture the beauty of individuals (Scailliérez, Cécile). I chose these pieces of art work because the Mona Lisa specifically focuses on individuality while its creation set a standard type of pose painting for the Renaissance artists and David became a symbol of liberty during the Renaissance. The David statue stood tall indicating Florence, where the sculpture was from, was ready for any…
- 939 Words
- 4 Pages
Good Essays -
It is a depiction of the earthly church, or Militant Church and Church Triumph of the Heavens. (Kren) At the top, in the center of the painting, is God. The semicircle surrounding him is the archangels. Directly below him is the son of God, Jesus Christ, with the Virgin Mary bowed on his right and St. John the Baptist on his left (Kren). The Virgin Mary was the mother of christ, while John the Baptist was the one who baptized Christ (Catholic Online). Other saints surround the trio, in individualistic, vibrant colors. At the very bottom of the picture are the saints, popes, bishops, priests, and the mass of the faithful.(Kren) Much like in the School of Athens, there are figures from history and Raphael’s present. On the right, Bramante leans on the handrail. He was an Italian architect, who was thought of as having recaptured the beauty of ancient architecture, and is now known for the development of the style of the architecture of the High Renaissance (Visual). He is speaking to a figure that is believed to be Francesco Maria Della Rovere, ruler of Urbino. Directly behind him is Pope Julius II, wearing a laurel Wreath of glory. He is the representation of Gregory the Great, who had been a Catholic Pope from the years 590 to 604 when he died. The Disputation of the Holy Sacrament is a mainly Religious Depiction, however the majority of the figures wear tunics and togas which was the clothing of the ancient…
- 1429 Words
- 6 Pages
Good Essays -
In 1505 the Pope Julius II recalled Michelangelo to Rome for two commissions. The most important one was for the frescoes of the Sistine Chapel ceiling. He worked high above the chapel floor, lying on his back on scaffolding painting for 5 years. Michelangelo painted some of the finest pictorial images of all time between "1508-1512." On the vault of the of the papal chapel, he devised an intricate system of decoration that included nine scenes from the book of Genesis, beginning with the God Separating Light from darkness and including the creation of Adam, the creation of eve, the temptation and fall of Adam and eve, and the flood. These centrally located narratives are surrounded by alternating images of prophets and sibyls on marble thrones, by other Old Testament subjects, and by the studies and cartoons, devising scores of figure types and poses. These awesome, mighty images, demonstrating Michelangelo's masterly understanding of human anatomy and movement, changed the course of painting in the West. Before the assignment of the Sistine Chapel ceiling in 1505, Michelangelo had been commissioned by Julius II to produce his tomb, which was…
- 1782 Words
- 8 Pages
Powerful Essays -
Around 96 percent of Italy’s population is italian. Other cultures live in this country: North African Arab, Italo- Albanian, Albanian, German, Austrian and other european groups. Italian is the official language of Italy which is spoken by 93 percent.…
- 589 Words
- 3 Pages
Good Essays -
Michelangelo exhibits this belief in The Downfall of Adam and Eve, a tile on the ceiling of the Sistine Chapel. The painting presents Adam and Eve before they eat from the forbidden tree of knowledge, looking healthy and casual, and after when God banished them from the Garden of Eden, where they look haggard and fearful. In both parts of the painting Michelangelo fully demonstrates the human body in a natural and realistic way. He does not make Adam and Eve any more beautiful than they should be, nor does he make them any uglier, he makes them look simply human. Similarly, Leonardo Da Vinci painted The Mona Lisa with the humanist idea of love for the human body. She is perfectly proportioned because of the golden ratio, is completely detailed, and Da Vinci’s use of shadows and shading can be clearly seen. Viewers can see that whoever modeled for the painting was wealthy because she follows the Renaissance fashion of shaving off their eyebrows, and she is plumper from having the money to be fed. However, Mona Lisa is tanner, which was not in “fashion” at the time, but it presents that Da Vinci used realism because he didn’t make her paler to fit in with the Renaissance idea of beauty. In the Middle Ages, almost every person in the artwork looks the same because everyone was made to fit the cookie-cutter idea of beauty. Conversely, the dawn of humanism during the Renaissance caused artists such as Michelangelo and Da Vinci to see humans as they really were and to paint them that…
- 1489 Words
- 6 Pages
Better Essays -
Throughout history, art has been used to depict events, traditions, and beliefs. The usage of such principles of art is prevalent during the Gothic age, transitioning to the Renaissance period. Artist across Europe were influenced by the distinct styles of the two time periods, and it is apparent in many sculptures and paintings by famous artists such as Giotto and Michelangelo. The two consecutive art eras, are based around religion and the church; many of the paintings and sculptures that are staple pieces of the Gothic age and Renaissance period are either architecture, paintings, or sculptures used for religious purposes.…
- 505 Words
- 3 Pages
Good Essays -
Many of the elements work to together to enhance Michelangelo’s artwork. When looking at the painting the eye is immediately drawn to the fingers almost touching were the breath of life is transmitted. Having a small gap in-between the fingers leaves tension. The lines leading up to the focal point are actual organic lines and organic shapes that are rounded and flowing. Through the body of God and Adam you can really depict the movement occurring. The colours used make the painting more neutral and more calm and relaxed. The stimulated texture found in this painting makes the bodies look lifelike. The space is not very deep.…
- 603 Words
- 3 Pages
Good Essays