The population that viewed the original …show more content…
A case in point is the way Gooper and Mae treat Big Daddy. They often parade their children and their success in hopes of getting in his good graces and will. Making sure that Big Daddy is aware of Bricks alcoholism and lack of a career is another way for them to attempt getting the fortune. From the start it is revealed that Big Daddy is dying of cancer and everyone knows but him. This provides another theme of dishonesty throughout the play. Mendacity which means telling a lie which is known as false, is often repeated in the second act during Big Daddy and Brick’s talk. Repetition of this word drives the point home that there is dishonesty in the house, everyone knows about it, and everyone is guilty. Brick is dishonest to himself and everyone else about his feelings for skipper, Gooper and Mae are only polite because they want money, and Maggie says she is pregnant. This theme makes for an honest and entertaining look at the worlds materialistic …show more content…
In his article about the play he mentions “But one of the great achievements is the honesty and simplicity of the craftsmanship.” This response exemplifies the observation made in the play of humanity and its deceitful greediness. Later he mentions how the integrity of the play is protected by the lack of use of “formulas of the theatre”. Doing this, the critic explains, leaves room for thought about the subject matter at hand. An article in the Australian Quarterly by Marguerite Birch, notices Williams’s “ways of bringing his writing closer to the being and action of his audiences…” The expert acknowledges the conversation and theme demonstrated by the work as being an important topic in society. The Hudson Review published an article about three plays which includes Cat on a Hot Tin Roof. In this review by William Becker, it is said that the play encompasses “intense realism” and is a “remarkable piece of work”. Here Becker applauds the realistic story of this family and the way the characters portray the most important themes. On the other hand, Vernon Young wrote a letter to the Hudson Review contradicting the critique written by William Becker. In fact Young claims “I deny categorically that the cliché supporting parts can justifiably be interpreted as brilliant tragi-comic portraits.” A comment such as this portrays the opinion that the play is cannot be related to the