Preview

Cabaret: Musical Analysis

Good Essays
Open Document
Open Document
1721 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Cabaret: Musical Analysis
“Oklahoma! Where the wind comes sweeping down the plain.” These iconic song lyrics are from the chart-topping musical Oklahoma!. This musical introduced, the now idolized, Richard Rogers and Oscar Hammerstein (Brockett pg. 462). Rogers and Hammerstein wrote the musical, in hopes of making it on Broadway. Instead, they wrote a musical that started the next great era to sweep through Broadway. The Golden Age of Broadway was the beginning of a transformation that would later lead to one of the most recognizable parts of New York City. It altered culture and how things were presented to the public eye. The era began in 1943 with Oklahoma!, having a lasting impact and impression which inspired Rogers and Hammerstein and other composers and playwrights …show more content…
Shows such as Hair graced the stage towards the end of the era. The controversial rock musical pinpointed issues such as drugs, sex, and rock and roll. All of these dynamically cultural components addressed issues in the real world. This type of musical became popular especially after the Golden Age. Many people didn't enjoy the new type of musical, for they felt as though it was not entertaining. The younger generation on the other hand, had a passion for the musicals. Cabaret was a musical that came into play right before Hair was on Broadway. The show was based around a fantasy relationship during World War II. While it had risque dancing and an erotic romance, the musical was also is based around abortion. The nefarious scandal made for a riveting musical. During its time, the Golden Age produced a new ways of how musicals and social impurities were portrayed to a public …show more content…
The Golden Age of Broadway introduced a new level of entertainment to the world. The era gave audience members a chance to escape their real problems and to enter another world where everything ends with a happy ever after. From giving society a new type of family, to giving the world a new type of entertainment, the Golden Age of Broadway was a gift. This gift had a great run. Fortunately, the era left a mark on the stage helping to build a new world of entertainment. The Golden Age of Broadway is something not to be forgotten, even after the curtain
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Analysis Of The Concert: A Musical Party
    • 185 Words
    • 1 Page

    Analysis Of The Concert: A Musical Party

    The Concert (A Musical Party) is an oil on canvas, Baroque period painting completed by the Flemish painter Theodoor Rombouts circa 1620. The work portrays a group of five costumed musicians around a table covered with a Persian tapestry rug. Of the five performers, there are four men and one woman. The four men are playing various instruments, the woman appearing to be the vocalist. The play of deep shadows and bright highlights present in this painting make the overall use of chiaroscuro more pronounced, reflecting the strong influence of Caravaggio, a revolutionary Italian painter who Rombouts studied under. Caravaggio’s works, which combine the realistic rendering of the human state with a dramatic use of lighting, had a formative effect…

    • 185 Words
    • 1 Page
    Satisfactory Essays
    Read More
  • Powerful Essays

    Analytical Essay (Wo) Men Rule Broadway
    • 1372 Words
    • 6 Pages

    Analytical Essay (Wo) Men Rule Broadway

    The performing arts allow one to become another person and indulge in different parts of his personality. On stage, actors can explore key themes and issues within humanity. However, some populations, such as women, feel that their emotional struggles and triumphs are often secondary or, worse yet, absent from the plot entirely. In numerous shows, the female leading role serves solely as the beautiful love interest, while the plot centers around the leading male’s conflicts. Genevieve Flati, a seasoned performer and writer with over 23 years of experience, decided to create the musical revue “(Wo)men Rule Broadway” with the help of musical director Kelly Rogers to portray these human experiences from a woman’s perspective. Flati says, “Our…

    • 1372 Words
    • 6 Pages
    Powerful Essays
    Read More
  • Better Essays

    Willkommen Im Cabaret Play Analysis
    • 1073 Words
    • 5 Pages

    Willkommen Im Cabaret Play Analysis

    Cabaret takes place in the years 1929 to 1930 Berlin before Hitler’s appointment as chancellor. The play follows Cliff Bradshaw, an aspiring American writer, and Sally Bowles, a performer at the Kit Kat Klub and their friends through the trying times before the Nazis. The story shows the struggles of those torn between what they want, and what is acceptable and how blind some were to the problems staring them right in the face. In the words of the emcee: “Leave your troubles outside! So-life is disappointing? Forget it! In here, life is beautiful-the girls are beautiful-even the orchestra is beautiful! Willkommen im Cabaret!” As the story unfolds, we see how this blindness affects those who…

    • 1073 Words
    • 5 Pages
    Better Essays
    Read More
  • Good Essays

    Cabaret Voltaire Research Paper
    • 326 Words
    • 2 Pages

    Cabaret Voltaire Research Paper

    cted the "logic" of nineteenth-century rationalism that had, in their view, led to a morally corrupt society and culminated in widespread death and destruction. At the Cabaret Voltaire, which became their headquarters, these artists and writers initiated a provocative series of exhibitions, poetry readings, and performances designed to take place in a frenetic and chaotic atmosphere. Many of their most outrageous activities were influenced by the Futurists, particularly Marinetti, who introduced "noise music"- a chorus of rattles and pot covers, kettledrums and typewriters- to simulate the "bruitism" of the real world. (In his book Dada: Art and Anti-art, the artist and writer Hans…

    • 326 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Showtunes In The 60's
    • 749 Words
    • 3 Pages

    Showtunes In The 60's

    Many of my favorite musicals came out at this time; Phantom of the Opera, Into the Woods, Big River, and Dreamgirls. The showtunes of the 80s were of a huge variety. Broadway began to have something for everyone. With higher technology the orchestra size became smaller, except for Webber shows of course. Many surprising issues were now being shown and actors, even had more passion behind their voice. Broadway was showing issues such as slavery, gender rights, prostitution, and abduction. The eighties were a time for change on the Broadway…

    • 749 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Musical Masterpieces If You Listen Analysis
    • 564 Words
    • 3 Pages

    Musical Masterpieces If You Listen Analysis

    Problems between composers and the general public have been mounting for over one hundred years. As advanced music rapidly changes, the public seemingly fails to posses the musical knowledge necessary to appreciate modern works of contemporary music. In 1958, Milton Babbitt examined this relationship in a piece entitled “Who Cares if You Listen?” In the article, Babbitt asses the public’s feelings on “advanced” music and concludes that it should not concern composers if their work doesn’t get an audience beyond a few colleagues. Musical masterpieces including Babbitt’s Semi Simple Variations and Stockhausen’s Gesang der Jünglinge exemplify why this is the case. Despite efforts to reach out to the public by composers such as Krzysztof Penderecki, the divide that separates these entities is even greater today.…

    • 564 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Rent - Musical Essay Example
    • 1794 Words
    • 8 Pages

    Rent - Musical Essay Example

    There's a scene in the new musical "RENT" that may be the quintessential romantic moment of the '90s. Roger, a struggling rock musician, and Mimi, a junkie who's a dancer at an S/M club, are having a lovers' quarrel when their beepers go off and each takes out a bottle of pills. It's the signal for an "AZT break," and suddenly they realize that they're both HIV-positive. Clinch.…

    • 1794 Words
    • 8 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Compare And Contrast The Musical Shows And College Football During The Gilded Age
    • 379 Words
    • 2 Pages

    Compare And Contrast The Musical Shows And College Football During The Gilded Age

    Because the rapid growth of industry, due to the Civil War and the Reconstruction, upper and middle classes took full advantage of this where money could be made for amusement. Especially for entrepreneurs and business men and women. One of those new found desires for amusement would be theater. One popular musical show, “The Black…

    • 379 Words
    • 2 Pages
    Satisfactory Essays
    Read More
  • Good Essays

    Richard Rodgers's Life And Accomplishments
    • 520 Words
    • 3 Pages

    Richard Rodgers's Life And Accomplishments

    “I hand him a lyric and get out of his way.”—Hammerstein on Rodgers. “He’s a meticulously hard worker and yet he’ll roam the grass of his farm for hours and sometimes days before he can bring himself to put a word on paper.”—Rodgers on Hammerstein. Rodgers and Hammerstein changed the face of American musical theater by blending the elements of drama, music and dance. Six of their eleven musicals were a huge success. Their first production, Oklahoma! was on Broadway for five years (1943-1948). They brought musical theatre closer to classical…

    • 520 Words
    • 3 Pages
    Good Essays
    Read More
  • Powerful Essays

    The Progression of the American Musical
    • 2881 Words
    • 12 Pages

    The Progression of the American Musical

    In the years before Oklahoma! was created, Broadway was dying. New and refreshing musicals were a rare occasion and when an artist tried to create something that he hoped his audience would like, he was sadly disappointed. Broadway was suffering from a lack of what it was revered for: astounding plays and musicals. Its time of glamour and glitz was almost forgotten, and was in need of being saved. That is why Oklahoma! is considered a rebirth of the American musical theatre at the time. It brought Broadway back to life, filling theatre seats with enthusiastic audiences who embraced the changes of this new theatre musical with open arms and made it a legend. Oklahoma! set new standards for classic American theatre by introducing new techniques of presenting the musical to the audience, introducing a new genre of music into the theatre, and strayed away from the usual classic form and structure of a musical that audiences had grown used to. It was a time of change, a time of excitement, and a time of setting standards for the future.…

    • 2881 Words
    • 12 Pages
    Powerful Essays
    Read More
  • Good Essays

    African American Musical Theatre Analysis
    • 623 Words
    • 3 Pages

    African American Musical Theatre Analysis

    Prior to what we believe to be the “Golden Era” of American Musical Theatre, one must first delve into the dark past modern musical theatre tries to bury beneath today’s jazz hands and glitter covered performers. The era of the Virginia Minstrel shows not only is derogatory towards African American slaves and recently freed slaves with the use of stock characters, but it uses exaggerated stereotypes and costuming to create the illusion that the African American race is inferior to Caucasians.…

    • 623 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Nazi Germany and Cabaret
    • 580 Words
    • 3 Pages

    Nazi Germany and Cabaret

    The musical Cabaret depicts an era through song and dance. Music sets the stage and tells the story from the beginning of the film until the very last scene. The film takes place in pre World War II Germany, revolving around the life of a Cabaret performer and the effects of the rising Nazi power during that time. In the very first scene, the decadence of the Cabaret is reflected in the first score of the musical. Throughout the film, its loud music and provocative dance represents the frivolous lifestyle during 1930’s Germany. The purpose of a musical is often times to illustrate a certain period of time through the lives of the characters. In this particular musical, the reckless lifestyle of the Germans during the time was shown through the scenes at the Cabaret. However, as the Nazi party began to gain power, its effects were portrayed through the musical routines performed at the Cabaret. The costumes, as well as the subject of the songs, helped to tell the story by symbolizing this era. The director, Bob Fosse commonly used flash blacks and foreshadowing to make the connection clear to the audience. Fosse’s vision as a musical director was far ahead of his time. The use of an emcee in the musical numbers gave the musical its direction.…

    • 580 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Analysis the Tonight Ensemble from West Side Story
    • 1532 Words
    • 7 Pages

    Analysis the Tonight Ensemble from West Side Story

    Tony and Maria - more romantic love, idealised, though Tony has to agree with Riff,…

    • 1532 Words
    • 7 Pages
    Good Essays
    Read More
  • Better Essays

    Cabaret Film Anaylsis
    • 963 Words
    • 4 Pages

    Cabaret Film Anaylsis

    I directed Cabaret in 1971 and my main aim was to explore the nature of humans and how they behave in certain circumstances. Set in Berlin, 1931, the movie follows the lives of Sally Bowles and Brian Roberts through the struggles of living in Nazi Germany. Through the use of film techniques such as camera shot and angles, musical numbers, and repeated symbols, the viewer perceives how what contributes to the decisions people make, and how this affects their lives.…

    • 963 Words
    • 4 Pages
    Better Essays
    Read More
  • Better Essays

    Comparison Of Les Misérables And West Side Story
    • 1404 Words
    • 6 Pages

    Comparison Of Les Misérables And West Side Story

    In the last century, two musicals have stood out from there comic counterparts. Les Misérables and West Side Story tell more serious stories and have captivated audiences with revivals and film versions. Both are based on classic literature, and share universal and relatable social problems. West Side Story created by Lenard Bernstein, Steven Sondheim, Arthur Laurents, and Jerome Robbins tell the story of Romeo and Juliet in 1950s New York. Les Misérables by Composer Claude-Michael Schonberg and lyricist Alain Boublil is based on Victor Hugo’s novel of the same title. The atypical nature of both the musicals that has made them more than just a temporary cultural fad. Initially both musical were not received well and did not receive that same…

    • 1404 Words
    • 6 Pages
    Better Essays
    Read More

Related Topics