Book Review of Train to Pakistan
Train to Pakistan, originally published in 1956, is not a very good book, but quite enjoyable much of the time. Khushwant Singh, less than ten years after Partition, in 1947, wrote a novel of less than 200 pages and still managed to create what’s probably best described as an uneven mess. Ideas, allusions, characters and bits and pieces of story float all over the book. There’s no denying that Singh, who has since become a famous public figure and intellectual in India, prefers to lecture rather than write a fully coherent novel. This is not to say, however, that Train to Pakistan is a bad book. There is much in it that is successful, much that is interesting and even engrossing, especially in the first half of the book, which is far more compellingly told than anything in the second half. In the latter half we flounder unhappily through Singh’s feeble attempts to hold all strands of his story together to deliver what is clearly meant to be a moving and inspiring ending to a book that isn’t shy about its intent to present the reader not just (or even primarily) with a convincing story, but with a convincing reading of history. This is one of the reasons why the book is sometimes hard to read or assess for someone (like me) who may not be knowledgeable about Indian political debates in the 1950s and 60s (at all). It’s hard to tell what is a distortion and what is the goal, or: the target, of that distortion or presentation. In the absence of that in-depth knowledge, readings (such as mine) may fall short of properly assessing the power of tropes and images used by Singh.
Nevertheless, the most important trope, the basic constellation of the book seems clear, even more so since it’s a widely used topos in world literature. Singh’s novel is set in Mano Majra, a village in the Punjab, a border region between Pakistan and India, shared by both countries. There are five major rivers in the region, one of which is the Sutlej, “half a mile“ from Mano Majra. Information
Nevertheless, the most important trope, the basic constellation of the book seems clear, even more so since it’s a widely used topos in world literature. Singh’s novel is set in Mano Majra, a village in the Punjab, a border region between Pakistan and India, shared by both countries. There are five major rivers in the region, one of which is the Sutlej, “half a mile“ from Mano Majra. Information