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Blow: Similarities And Differences

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Blow: Similarities And Differences
“Blow” Similarities and Differences This is a film that was adapted from Bruce Porter’s ‘Blow: How a Small Town Boy Made $ 100 Million with the Medellin Cocaine cartel and Lost It All’, 1993 publication. This was specifically written as a script for a screenplay that then translated into the American biopic film production of 2001 known by the same title. This is a book that centered on the life experiences of George Jung, Pablo Escobar, and Carlos Lehder Rivas. In the analysis of the movie, there are certain features that were changed and those that were maintained comparing it with the script as well as the real life events in the lives of the protagonists. This is especially about the setting of certain scenes, characterization and the …show more content…
In the film, a scene is shown of him cruising through modern suburban constructions. This is exactly coincidental with the time about which George was arrested with Cocaine and was convicted for the same (Porter 76). He served a jail sentence on this account up to the pioneering years of the 70s as is presented in the movie and scene. However, the suburban setting in the movie is not real as it was created in the late 70s and 80s. It is also not a consistent setting with what is in the text of the movie about the setting of this particular scene (Niemi 516). This consistency of chronology as well as imagination of setting that is unreal was meant to achieve the film effect to provide a blend of the real and the …show more content…
This is just when the camera is made to shift at a firm yet slow pace to the right and capturing the people as its axis while the ship appearing on the opposite side of the pan to form an optical illusion which then fades as it firms its focus for the viewer to know what he is looking for. These camera illusions in a film of this nature serve to make perfect effects of vision while motivating more concentrated focus on what is captured. It is the infusions of a producer concerned to create effects in the film that have no relationship with events in real life or in the text that was adapted to make a
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