Preview

Bibliography for History of Fashion

Best Essays
Open Document
Open Document
501 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Bibliography for History of Fashion
Bibliography
Ribeiro, A., 1995. The Art of Dress: Fashion in England and France in 1750 to 1820. New Haven and London: Yale University Press.
Tarrant, N., 1994. The Development of Costume. London: Routledge
Ribeiro, Aileen, 1983. A Visual History of Costume: The Eighteenth Century. London: B. T. Batsford Ltd.
Cunnington, C. Willett, & Cunnington, P, 1972 Revised, A Handbook of English Costume in the 18th Century, Page 14, Northampton: John Dickens & Co. Ltd. Page 32
Kalinsky, N., 1995. Gainsborough. London: Phaidon Press Ltd.
Hayes, J., 1975. Gainsborough: Paintings and Drawings. London: Phaidon Press Ltd.
Solkin, D. H., 2001. Art on the Line – The Royal Academy Exhibitions at Somerset House 1780 – 1836. New Haven and London: Yale University Press.
Contini, M., Laver, J., Ironside, J., 1965. Fashion: From Ancient Egypt to the Present Day. London: Paul Hamlyn Ltd.
Carter, E., 1977. The Changing World of Fashion. London: Weidenfeld & Nicolson.
Koda, H., 2003. Goddess: The Classical Mode. New Haven and London: Yale University Press, Metropolitan Museum of Art.
Wendors, R., 1996. Sir Joshua Reynolds: The Painter in Society. Harvard University Press, National Portrait Gallery Publications.
Steegman, J., 1933. Sir Joshua Reynolds. London & Southampton: The Camelot Press Ltd.
Penny, N., 1986. Reynolds. Royal Academy of Arts, London: Weidenfeld & Nicolson.
Rosenthal, M., 1999. The Art of Thomas Gainsborough. New Haven: Yale University.
Rosenthal, M., Myrone, M., 2002. Gainsborough. London: Tate Publishing.
Colley, L., 1986. The Politics of Eighteenth Century British History, Page 359, in The Journal of British Studies, Vol. 25, No. 4, Oct., 1986, USA: University of Chicago Press.
Levy, J. S. 1981. Alliance Formation and War Behavior: An Analysis of the Great Powers, 1495-1975, in The Journal of Conflict Resolution, Vol. 25, No. 4, Dec., 1981
Burnaby, W. 1700. The Reform’d Wife. London: Thomas Bennett.
Langford, P., 1992.


Bibliography: Ribeiro, A., 1995. The Art of Dress: Fashion in England and France in 1750 to 1820. New Haven and London: Yale University Press. Tarrant, N., 1994. The Development of Costume. London: Routledge Ribeiro, Aileen, 1983 Cunnington, C. Willett, & Cunnington, P, 1972 Revised, A Handbook of English Costume in the 18th Century, Page 14, Northampton: John Dickens & Co. Ltd. Page 32 Kalinsky, N., 1995 Hayes, J., 1975. Gainsborough: Paintings and Drawings. London: Phaidon Press Ltd. Solkin, D Contini, M., Laver, J., Ironside, J., 1965. Fashion: From Ancient Egypt to the Present Day. London: Paul Hamlyn Ltd. Carter, E., 1977 Koda, H., 2003. Goddess: The Classical Mode. New Haven and London: Yale University Press, Metropolitan Museum of Art. Wendors, R., 1996 Steegman, J., 1933. Sir Joshua Reynolds. London & Southampton: The Camelot Press Ltd. Penny, N., 1986 Rosenthal, M., 1999. The Art of Thomas Gainsborough. New Haven: Yale University. Rosenthal, M., Myrone, M., 2002 Colley, L., 1986. The Politics of Eighteenth Century British History, Page 359, in The Journal of British Studies, Vol. 25, No. 4, Oct., 1986, USA: University of Chicago Press. Levy, J. S. 1981. Alliance Formation and War Behavior: An Analysis of the Great Powers, 1495-1975, in The Journal of Conflict Resolution, Vol. 25, No. 4, Dec., 1981 Burnaby, W Langford, P., 1992. A Polite and Commercial People: England 1727 – 1783 (New Oxford History of England) Clarenden Press. ------------------------------------------------- Warner, M., 1989. The Sources and Meaning of Reynolds 's "Lady Sarah Bunbury Sacrificing to the Graces", in Art Institute of Chicago Museum Studies, Vol. 15, No. 1, 1989 Francis, J., 2002 Joshua Reynolds: The Creation of Celebrity. Ed. Martin Postle. London: Tate Publishing, 2005. Anawalt, P. R., 2007. The Worldwide History of Dress. New York, New York: Thames & Hudson Inc. Buchanan, L., 2007. Sarah Siddons and Her Place in Rhetorical History, in Rhetorica: A Journal of the History of Rhetoric. Vol. 25., No. 4. Autumn 2007. University of California Press. McPherson, H., 2000. Picturing Tragedy: Mrs Siddons as the Tragic Muse Revisited, in Eighteenth Century Studies. Vol. 33., No. 3., Spring 2000. The Johns Hopkins University Press Weinsheime
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Informative Essay: Clothing After The Civil War
    • 892 Words
    • 4 Pages

    Informative Essay: Clothing After The Civil War

    Man as a species evolved and grew over the course of history; and as society further developed, it became evident that evolution needed a cover. While babies are born in all their glory, clothing becomes an inevitable necessity. The development of clothing was inevitable in order to fit societal standards. Much like evolution of man, however, clothes were bound to change. In order to understand the development of clothing in relation to style, it is imperative to recognize the correlation. The relationship between clothing styles and development can be seen with with the following innovations throughout history: tailoring in the Renaissance, ready made clothes following the Civil War, and integration of 20th…

    • 892 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Describe The Fashion Trends In The 1840's
    • 740 Words
    • 3 Pages

    Describe The Fashion Trends In The 1840's

    The 1800’s was full of different fashion trends, from big skirts, to natural frames, to curves all over. Two seemingly very different decades have many differences and many similarities in their fashion. These decades are the 1840’s and the 1880’s. The 40’s were known for large skirts. The 80’s was known for its large bustles in the back, a famous example is in the painting A Sunday on La Grande Jatte which is found in the Chicago Art Institute. There were both similarities and differences in the clothes, undergarments, and hair of the 1840’s and the 1880’s.…

    • 740 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    The Young Victoria Dress Analysis
    • 620 Words
    • 3 Pages

    The Young Victoria Dress Analysis

    The Victorian Age, a time that is commonly known throughout history for its stoicism of dress for women and men. The women and men of the Victorian age all dressed in ways that covered their entire bodies. The men wore suits, while the women wore dresses that were extremely modest. However, in the movie The Young Victoria the director chose to have the men were dressing in what would be considered proper Victorian standards for men. However, Queen Victoria and the women of Royalty dresses in ball gowns that revealed a significant amount of skin, while the servants and lesser class also dressed in proper Victorian garb. This paper will look at the significance of the costume choices for women, and the possible reasons for why the director chose…

    • 620 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    The Role Of Clothing In The Elizabethan Era
    • 326 Words
    • 2 Pages

    The Role Of Clothing In The Elizabethan Era

    The Elizabethan era was known in part for its clothing styles and fashion particularly on men because there were numerous articles of clothing for men to wear in a complete outfit. In that particular era, people had to dress according to their position in society because, “distinctions between classes of clothes were affected by wealth and status”, (Oslen, 137). Men’s fashion in the Elizabethan era was much different than the fashion now because back then, the tailors had many different layers of clothing for men to wear. The first layer would usually be a camicia, which is a plain white shirt worn as an undergarment. There would also be stockings or hoses, they are both similar articles and are designed…

    • 326 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Adorned In Dreams By Elizabeth Wilson
    • 1643 Words
    • 7 Pages

    Adorned In Dreams By Elizabeth Wilson

    When people talk about the word “fashion,” it automatically provides a sense of popular styles of clothing, accessories, and makeup. Fashion influences not only on people’s behaviors, but also influences society on a social and economic level. Sometimes, people show their social status through the consumption of luxury goods, while this trait can be found through the history of fashion. In Adorned in Dreams, the author Elizabeth Wilson introduces fashion’s history and through these changes, people can express different belief systems, social values, and public desires. In Subculture The Meaning of Style, Dick Hebdige introduces an example in Britain’s emergence of subcultures, which illustrates people had changed their social values and beliefs…

    • 1643 Words
    • 7 Pages
    Good Essays
    Read More
  • Better Essays

    Colonial America Research Paper
    • 1368 Words
    • 6 Pages

    Colonial America Research Paper

    Each of these groups had different dressing traditions” (Loren, 2). However, just because the colonists had different ethnic heritage/backgrounds does not mean they lost the European view of status through clothing. Where one’s clothes depict a person’s station in life and how wealthy they are. This belief of status through clothing was important in the colonies and sumptuary laws were created that restricted some people from wearing new fashions in the ways they wished (Loren, 2-3). In…

    • 1368 Words
    • 6 Pages
    Better Essays
    Read More
  • Good Essays

    1920's Youth
    • 789 Words
    • 4 Pages

    1920's Youth

    The fashion for women contained three remarkable adjustments. The first involving short hair. Prior to this time women did not cut their hair into bobs but instead wore long “manes” that would be kept up in buns to uphold a very proper atmosphere. Short hair, “was enthusiastically defended on the grounds that is was carefree and less troublesome to care for...”(Fass 4). Women of the time were trying to fit in with their new roles in society. As they became more equal to men they wanted to become more of a “companion in work and play” and to do so they took on a “boyish” look (Fass 3). Despite the positive attributions of having short hair, “bobbed hair was often attacked as a symbol of female promiscuity, of explicit sexuality, and of a self-conscious denial of respectability and the domestic ideal” (Fass 4). This however did not stop young women who found their short hair attractive and more manageable as they worked or studied.…

    • 789 Words
    • 4 Pages
    Good Essays
    Read More
  • Better Essays

    How Has Fashion Changed From The 1800's To Now
    • 2025 Words
    • 9 Pages

    How Has Fashion Changed From The 1800's To Now

    In the early 1800’s, women’s clothing styles were based on the ‘Empire silhouette.’ The Empire silhouette style consisted of dresses that were closely fitted to the torso just under the bust, falling loosely below. The beginning of the 19th century’s fashion was different than the rest of the 19th century and the ending of the 18th century. During this time, the dresses had taken away the natural shape of the waist in which took away the point of the tight fit corseting, often considered fashionable in other time periods.…

    • 2025 Words
    • 9 Pages
    Better Essays
    Read More
  • Powerful Essays

    Object Analysis - Corsets
    • 2747 Words
    • 11 Pages

    Object Analysis - Corsets

    I have chosen to analyse the corset. No other garment in Western history has assumed such political, social, and sexual significance. In this essay I will look at the history of the corset and how it transformed each century. I will also explore other sides of the corset; the fetishism that is associated with it, the medical implications, and its place in contemporary fashion.…

    • 2747 Words
    • 11 Pages
    Powerful Essays
    Read More
  • Good Essays

    Civil War Fashion
    • 804 Words
    • 4 Pages

    Civil War Fashion

    The word fashion gained popularity in different languages during the Renaissance (“Renaissance Fashion: The Birth of Power Dressing”).…

    • 804 Words
    • 4 Pages
    Good Essays
    Read More
  • Best Essays

    1920ts Fashion
    • 3086 Words
    • 13 Pages

    1920ts Fashion

    * Nunn, Joan: Fashion in Costume, 1200–2000, 2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at The Victorian Web)…

    • 3086 Words
    • 13 Pages
    Best Essays
    Read More
  • Powerful Essays

    Hairstyling In Ancient Civilizations
    • 1530 Words
    • 7 Pages

    Hairstyling In Ancient Civilizations

    (1992). The History of Costume: From Ancient Mesopotamia through the Twentieth Century. Retrieved from: http://www.fashionencyclopedia.com/fashion_costume_culture/The-Ancient-World-Egypt/Wigs.html…

    • 1530 Words
    • 7 Pages
    Powerful Essays
    Read More
  • Powerful Essays

    Mexican Muralism
    • 4019 Words
    • 17 Pages

    Mexican Muralism

    Mexican muralism offers us one of the most politically charged and expressive art forms of the 20th century. David Alfaro Siqueiros and Jose Clemente Orozco are two of the three so called triumvirate of Mexican Muralists, the third being Diego Rivera. Both of the artists have a unique style and a strong sense of morals and political ideals. Their styles are similar in the sense of the amount of expression and movement in their pieces They also share a common ideology that shows up often in their work. Siqueiros’ Portrait of the Bourgeoisie and New Democracy along with Orozco’s American Civilization and Catharsis show you a great cross section of Mexican Muralism, revealing the passions and beliefs of the time period.…

    • 4019 Words
    • 17 Pages
    Powerful Essays
    Read More
  • Good Essays

    Clothing During The Renaissance
    • 530 Words
    • 3 Pages

    Clothing During The Renaissance

    The fashion of men’s clothing has developed from the handsome tunics of the Renaissance and Medieval eras to the professional suits of the ninetieth and twentieth centuries.…

    • 530 Words
    • 3 Pages
    Good Essays
    Read More
  • Better Essays

    The Italian Renaissance Fashion
    • 1132 Words
    • 5 Pages

    The Italian Renaissance Fashion

    Renaissance clothing was often extravagant depending on the person’s status within the community. The richer one was the more elaborate and decorative their hair, makeup, and clothing was. The middle class had nice quality garments but could never usurp the higher class’s outfits in design or color. As for the poorer class, their garbs were usually plain, maybe even tattered and made out of simple linens and the dullest colors. “Although poorly enforced, sumptuary laws in Europe from the middle ages to the 18th century dictated the color and material of a courtier’s clothing. To separate the growing middle class from the nobility, these sumptuary laws imposed dress codes according to rank, gender, wealth, religion and even virtue. Breaking dress codes also came with much harsher penalties.” (Beccia). The…

    • 1132 Words
    • 5 Pages
    Better Essays
    Read More

Related Topics