Beauty Shelley
“Beauty is Goodness, Goodness Beauty”: Shelley’s “Awful Shadow” and “Ethical Sublime”
Chung-hsuan Tung
Intergrams 8.2-9.1 (2008): http://benz.nchu.edu.tw/~intergrams/082-091/082-091-tung.pdf
Abstract
Truth, Beauty, and Goodness are three great human ideals belonging to epistemological, aesthetic, and ethical categories, respectively. all other Forms or Ideas including Truth and Beauty. But they are often not easily differentiated. For Plato Goodness is the supreme Form or Idea governing For Keats Beauty and Truth are identical. For Shelley “Beauty is Goodness, Goodness Beauty.” Rather than an aesthete, Shelley is primarily a moralist preoccupied with Goodness: his works are often directly linkable to his social, political, and religious status quo and his poetic theory tends towards the pragmatism of doing good. What Shelley calls “intellectual Shelley beauty” is but “inner beauty” or “virtuous goodness” that finds its embodiment in an ideal maid or a revolutionary soul mate, who represents Shelleyan virtues. “awe-inspiring.” th uses the word “shadow” very often: it can be “awful” in the sense of “very bad” or Shelley’s “awful shadow” is often no other than “intellectual It is connected with Shelley exploits “the sublime” ethically: In the final analysis, Shelley’s “ethical beauty,” an ideal form originated from the Supreme Goodness. the 18 -century idea of “the sublime.”
seeing an invisible, beneficent, supreme power hidden in nature but directing the world in its revolutionary course of change. sublime” expresses clearly his Platonism or idealism, explaining meanwhile his radicalism, atheism, pragmatic theory of poetry and defects in writing poetry. Key words and phrase: 1. truth, beauty, goodness radicalism, atheism 2. intellectual beauty 3. shadow 4. the awful shadow
5. the sublime and the beautiful 6. the ethical sublime 7. Platonism, idealism,
1
I. Truth, Beauty, Goodness Truth, beauty, and goodness are said to be “the great
Chung-hsuan Tung
Intergrams 8.2-9.1 (2008): http://benz.nchu.edu.tw/~intergrams/082-091/082-091-tung.pdf
Abstract
Truth, Beauty, and Goodness are three great human ideals belonging to epistemological, aesthetic, and ethical categories, respectively. all other Forms or Ideas including Truth and Beauty. But they are often not easily differentiated. For Plato Goodness is the supreme Form or Idea governing For Keats Beauty and Truth are identical. For Shelley “Beauty is Goodness, Goodness Beauty.” Rather than an aesthete, Shelley is primarily a moralist preoccupied with Goodness: his works are often directly linkable to his social, political, and religious status quo and his poetic theory tends towards the pragmatism of doing good. What Shelley calls “intellectual Shelley beauty” is but “inner beauty” or “virtuous goodness” that finds its embodiment in an ideal maid or a revolutionary soul mate, who represents Shelleyan virtues. “awe-inspiring.” th uses the word “shadow” very often: it can be “awful” in the sense of “very bad” or Shelley’s “awful shadow” is often no other than “intellectual It is connected with Shelley exploits “the sublime” ethically: In the final analysis, Shelley’s “ethical beauty,” an ideal form originated from the Supreme Goodness. the 18 -century idea of “the sublime.”
seeing an invisible, beneficent, supreme power hidden in nature but directing the world in its revolutionary course of change. sublime” expresses clearly his Platonism or idealism, explaining meanwhile his radicalism, atheism, pragmatic theory of poetry and defects in writing poetry. Key words and phrase: 1. truth, beauty, goodness radicalism, atheism 2. intellectual beauty 3. shadow 4. the awful shadow
5. the sublime and the beautiful 6. the ethical sublime 7. Platonism, idealism,
1
I. Truth, Beauty, Goodness Truth, beauty, and goodness are said to be “the great