Barbara Kruger Research Papers
The work of various artist from this time caught my attention but the work of Barbara Kruger stood up as I think with her work one can feel the atmosphere of our society in the late 60s’ early 70s’. The field of aesthetic activism, had a branch of precursors that addressed feminism as a recurrent trigger in its production. Several of these artists came out of disciplines such as photography and the "object" to rely on the corporal and the performative. With some exceptions, it was during the '60s and' 70s, at the American universities where the groups were founded. Transforming the body itself into expressive support contributed with a new intensity and drama that mobilized the public and opened a door to self-reference by the creators. Barbara Kruger is one of the greatest exponents of contemporary art, who has been able to blend into her works an everyday language with direct messages that face the interlocutor.
Kruger was born on January 26, 1945, in Newark, New Jersey. As part of his academic training, she studied with the renowned fashion photographer Diane Arbus and the director of publishing art Marvin Israel at the Parson's School of Design. She then obtained several works where she served as chief designer and art and photography editor; This experience is reflected in her …show more content…
Untitled ("Perfect") (1980) portrays the torso of a woman, her hands intertwined, evoking the Virgin Mary, the embodiment of submissive femininity; The word "perfect" extends along the bottom edge of the image. These collages served to inaugurate an exhibition that contained images with political, social, and especially feminist comments, using stereotypes of the same religion, sexuality, racial and gender, as well as consumerism caused by the greed of large corporate
Kruger was born on January 26, 1945, in Newark, New Jersey. As part of his academic training, she studied with the renowned fashion photographer Diane Arbus and the director of publishing art Marvin Israel at the Parson's School of Design. She then obtained several works where she served as chief designer and art and photography editor; This experience is reflected in her …show more content…
Untitled ("Perfect") (1980) portrays the torso of a woman, her hands intertwined, evoking the Virgin Mary, the embodiment of submissive femininity; The word "perfect" extends along the bottom edge of the image. These collages served to inaugurate an exhibition that contained images with political, social, and especially feminist comments, using stereotypes of the same religion, sexuality, racial and gender, as well as consumerism caused by the greed of large corporate