“Where Are You Going, Where Have You Been?” is a short story that poses many questions centered around the protagonist, Connie and the antagonist Arnold Friend and his “comrade” Ellie. The fate of Connie at the end of the story is still up for debate after all these years after the story was published in 1966. The main question posed is who actually is Arnold Friend? Is he the devil or something else? The answer may never be fully known but in my opinion I think that Arnold Friend is a figment of Connie’s imagination that is supposed to symbolize Connie’s entrance into womanhood.…
The Devil has been the subject of many stories, always represented as an evil being, a cursed creature that preys on the souls of humans. He is described in many different ways, just like the many forms he takes in many stories. Two famous stories that deal with this fearsome creature are "The Devil and Tom Walker" by Washington Irving, and "The Man in the Black Suit" by Stephen King. Both suggest that the Devil always pursue the human weaknesses, however, Irving implies that the Devil only hunts the corrupted heart; while King signifies the Devil also take interest in innocents.…
Tierce and Crafton’s theory that Arnold is a savior is flawed because they misunderstand Arnold Friend’s intentions of freeing Connie from the limitations of a child. Tierce and Crafton believe Arnold Friend was conjured up by Connie’s imagination. Tierce and Crafton believe that he is a manifestation of all the desires Connie holds in her heart. Her wish to be a grown woman created a messiah named Arnold Friend, who came to her to take her away from her father’s home and set her free, saying to Connie, “we’ll go out to a nice field, out in the country here where it smells so nice and it’s sunny”(Joyce Carol Oates, 515). Taking the innocence and limitations that her age brings allows her to leave and go with Arnold Friend (Connie’s Tambourine Man: A New Reading of Arnold Friend). He…
Everyone, at least once in their lifetime, has been an advocate for the bad guy; whether it would be Heith Ledger, playing the Joker, verses Batman or the innocent Satan verses the tyrant God. John Milton does a fantastic job in letting his audience observe Satan in a new manner that one has not analyzed before. Milton portrays Satan as the most likable character in Paradise Lost, yet he is thought of being the foulest individual in the social realm. Satan stands above the rest of the characters in the poem, a once archangel casted out of heaven, trying to find his way in the universe. Although he is depicted as the most sentimental character of the poem, Satan is still the profound angel that society recognizes him as today. Milton’s exclusive…
The story "The Devil and Tom Walker" is a story about a man who lives an immoral life of greed. Walker lives in a solemn, wooded, quiet area of New England. Walker runs into the devil and sees that the devil is cutting down someone else's timber. The evil is shown, by the devil in how he is premeditating the murder of "Deacon Peabody". Walker contemplates this meeting with the devil, and recognizes that wealth is the first priority for him. Tom Walker's wife was filled with greed and wanted to acquire the gold that the devil had promised. Walker hadn't obliged to his wife, and due to his wife's acute greediness set out on her own journey to acquire that gold. She had been killed because of her greed, and lack of morals for self-prosperity, which resulted in her death. This is an important example of the use of evil within "The Devil and Tom Walker". Walker is told from the devil that he could earn money through usury and extortion. Walker commits to usury and makes a generous sum of money. Walker has no repentance for such a sin and continues to his usury. The evil accumulates in the story as Walker accumulates more and more money, resulting from more and more greed. The accumulation of this money leads to a climactic point where Walker is fed up with his accumulation of money, and asks to be taken by the devil. Consequently, the devil "takes" Walker to hell. The evil is fluently represented by Walker "selling himself to the devil", and his inability to understand that material possessions couldn't be taken to the next world.…
Indeed, Arnold Friend could be an allegorical devil figure, the protagonist who lures Connie into riding off with him in his car, or, in the contrary, far more a grotesque portrait of a psychopathic killer masquerading as a teenager. However, he has all the traditional, sinister traits of that arch deceiver and source of grotesque terror, the devil, with his painted eyelashes, shaggy hair, and stuffed boots.…
Arnolds other devilish characteristics include his nose and neck. Arnold Friend’s nose does not seem to be natural “The nose long and hawked-like, sniffing as if she were a treat” (327). Arnold Friend’s nose is not human like which means it must be the nose of the devil himself. Arnold friend’s neck is so different form a human neck “Even his neck looked muscular” (327). Arnold Friend’s neck seems to be the neck of a muscular animal which is a devilish characteristic which makes Arnold Friend the devil.…
Since then, the stories of demons and devils have intertwined with our society, leaving behind a long history that includes many appearances by Lucifer, who is often recognised as a demon to many people, to give us the image of the Devil we have today. Jeffrey Burton Russel, an American historian and religious studies scholar analyses the Devil in his own works such as; Satan: The Early Christian Tradition (1981), Lucifer: The Devil in the Middle Ages (1984), and Mephistopheles: The Devil in the Modern World (1986). In The Devil in the Modern World Russel’s third installment of his history of Devil-culture relations, he details the concept of the Devil and how it changed throughout the past centuries. Russel details the past portrayals of the Devil and creates his own definitions based off the studies, writing: “The Devil is the symbol of radical evil. But does he exist, and in what sense? The key to the question is in what sense.” (Russel 18). In what sense do we have to look at when analysing the Devil to this degree? Russel expands on this question through the roots…
In the story “The Devil and Tom Walker” good vs evil is shown in Tom Walker. Tom is a man in the 18th century who was a very bad man who sold his soul to the devil for money. “The Devil and Tom Walker” was written by Washington Irving and the character I have chosen is Tom Walker. Tom Walker is a lonely man because he is greedy, miserly, and mean.…
The bible tells the tale of the Devil as being an Angel that went his separate way and was exiled by God for his immorality. He is characterized as a supernatural being able to take any shape or form. He has strong powers of deception and uses them to tempt his victims. He is a sinful creature who longs for lust and will steal, kill, and destroy for pride. He is the fountain of evil and the source of all sins.…
stuffed boots; these features led her to believe he was not a teenager, but in…
Arnold Friend is the devil in human form. However, as his physical description progresses, he becomes more unreal and more caricature-like with every trait. Everything Connie, the protagonist and object of Arnold Friend's desire, sees is like something else she knows, familiar and recognizable. These traits, however, do not create a homologous character; instead it is an awkward collection of incongruities. If a trait does not appear borrowed, it appears fake or imitating. His hair is "shaggy [and] shabby . . . that looked crazy as a wig," and Connie's assertion is strengthened when he put his sunglasses on his head "as if he were indeed wearing a wig." Already Arnold Friend seems assembled, completely divergent from human characteristics. Connie describes the way he is dressed, as well as his body type, as similar to every other boy out there. With every physical detail, Arnold Friend seems more and more like the devil taking on the appearance of a typical teenage boy in order to prevent scaring young girls away. "His face was a familiar face," and "[h]is whole face was a mask . . . tanned down to his throat but then running out as if he had plastered make-up on his face and had forgotten about his throat," add to the notion that Arnold Fiend was put together, not born,…
The bodily features of Arnold Friend suggest he is the devil in disguise. During the whole event, Connie recognizes the way Arnold Friend "wobbled in his high boots" (196). She believed that he may have been a drunken stumbling man until she identifies "one of his boots was at a strange angle, it pointed out to the left, but at the ankle" (197). Nevertheless, Connie continues to examine his boots, and comes to the conclusion that "his feet did not go all the way down" (197). Illustrations of the Devil propose that he walks in a bent manner; legs twisted in a bizarre way, and have feet that angle into goat hooves. A clear reference to the Devil is present in the form of Arnold Friend walking style and appearance of his boots.…
Part two of the book focuses more on how the reader can begin to see improvement and be able to stand up and what to look out for. “Even though we are secure in Christ and have all the protective armor we need, we are still vulnerable to Satan’s accusations, temptations, and deceptions (Anderson, 2000, p 114). Anderson goes in depth to discuss how Satan can harm us during our battle for freedom. One of which includes demons. There is more to demons than human beings know; each demon has a separate identity and can communicate, remember their former state, and make decisions (Anderson, 2000).…
Stories and myths of the devil and encounters with him are as old as time itself. They appear frequently in movies, essays, plays, television programs and books, and American authors Stephen King, Nathaniel Hawthorne, and Washington Irving are certainly no exception. However, they each demonstrate it differently in their short stories.…