Annotated Bib Lynn
Lynn, David H. “Creating a Creator.” Readings on The Great Gatsby. Ed. Katie de Koster, 154-62. San Diego: Greenhaven Press, 1998. Print Author David H. Lynn argues that the distinction between character and personality suggested from the earliest pages of “The Great Gatsby” reveals just how fully responsible Nick is for his creation of Gatsby, the romantic hero. He claims that Nick fleshes Gatsby onto a skeleton of public gestures as this is someone whose essential romantic hopefulness is expressed in his behavior. Fitzgerald’s audiences’ relation to Gatsby is mediated by Nick, so the perspective on Daisy is divided, with Gatsby performing as a narrator of her own magnificence, while Nick provides a less glorified account. Lynn says that although Gatsby's personality shows that he is honest in regards to his private intentions, readers must remember that the Gatsby being discussed is largely Nick’s creation. If there is curiosity about Gatsby's hidden nature, it is because Nick believes in the sympathetic understanding he has for Gatsby. Nick responds to Gatsby's extravagant parties with strangers, his flashy materiale, and immense egoism with imaginative sympathy because he believes these traits are born of a romantic hopefulness that he shares. From their first meeting, Nick translates Gatsby's gestures with authority, as if his response was directly resulting from Gatsby's intended effect. Lynn argues that Gatsby’s behavior is always at the fine line between the grand and yet absurd of dramatics, as well as the defiant public gesture often embodying that of the ideal self-image pursued by romantic heroes as they define themselves against the communal protocol. Gatsby's extravagance is given form and meaning only in Nick's imagination; he comes alive when Nick first glimpses the intensity of his dream through Gatsby’s wild, routinely gatherings. Lynn informs that both Nick's ambivalence towards Gatsby and the inevitable discord