Preview

Analysis Of Oath Of The Horatii By Jacques-Louis David

Good Essays
Open Document
Open Document
405 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Analysis Of Oath Of The Horatii By Jacques-Louis David
Jacques-Louis David created Oath of the Horatii on canvas using oil. This piece was first exhibited in 1785 at the Louvre, Paris, France. This painting was commissioned by Louis XVI as it was then part of his program to aim at moral improvements of France. Neoclassical style was a reaction against Rococo levity and French Baroque. During this time, the neoclassical style was mostly associated with revolutionary movements. The style developed into a heroic subject matter, formal clarity, and impression of stability and solidity. As the style rebelled it arose from the questioning that the eighteenth century Enlightenment thought.
This art work illustrates Roman tradition that honor and self-sacrifice prevailed. You can see the figures wearing
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Group 2 Presentation 05 28 14 The Seated Boxer
    • 660 Words
    • 2 Pages

    Group 2 Presentation 05 28 14 The Seated Boxer

    The statue portrays a boxer seated with his arms resting on his knees, his head turned to the right and slightly raised with mouth open (fig. 4). The figure is naked except for his boxing gloves, which are of an ancient Greek type with strips of leather attached to a ring around the knuckles and fitted with woolen padding (fig. 5), and the infibulations of his penis by tying up the foreskin, which was both for protection and an element of decorum. The boxer is represented just after a match. His muscular body and full beard are those of a mature athlete, and his thick neck, lanky legs, and long arms are well suited to the sport. His face exhibits bruises and cuts. His lips are sunken as though his teeth have been pushed in or knocked out. His broken nose and cauliflower ears are common conditions of boxers, probably the result of previous fights, but the way he is breathing through his mouth and the bloody cuts to his ears and face make clear the damage inflicted by his most recent opponent. The muscles of his arms and legs are tense as though, despite the exhaustion of competition, he is ready to spring up and face the next combatant.…

    • 660 Words
    • 2 Pages
    Good Essays
    Read More
  • Powerful Essays

    Connecting to the Hero: an Overall Analysis of an Attic Black-Figure Hydria Depicting Herakles’ Exploits
    • 1904 Words
    • 8 Pages

    Connecting to the Hero: an Overall Analysis of an Attic Black-Figure Hydria Depicting Herakles’ Exploits

    My vase is made in approximately 520-510 BC, a crucial transitional period in Greek art when black-figure technique reaches its pinnacle and begins to be replaced by the red-figure technique. The overall high quality of black-figure painting of the period is visible in my vase through the vividly depicted figures and details such as the folds in clothes and the additional use of white and red colors for female skin and decorations. Specifically, my vase exemplifies the styles of the Antimenes Painter and that of the Leogros group, both are active in the last two decades of the sixth century. The Antimenes painter is the most prolific Attic artist who specializes in painting hydriae and neck amphorae at his time. His vases are identified by stylistic traits such as the primary picture on the front of the body, a subordinate one on the shoulder, the linear pattern at the bottom of the neck, the ivy pattern framing the body and the ray pattern at the predella. The artist has a special fondness for chariot processions and Herakles as subjects. One of his other hydriae closely resembles my object in terms of subject matter and…

    • 1904 Words
    • 8 Pages
    Powerful Essays
    Read More
  • Satisfactory Essays

    intro art
    • 644 Words
    • 3 Pages

    intro art

    Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess, protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon l. entrance gateway m. sculptor of the Discobolos n. female figure used as column o. storage jar with and egg shaped body p. sculptor of Hermes and Dionysus q. ornament from Ionic capital resembling a rolled scroll r. painting method using melted wax 1. ______ triglyph 2. ______ Polykleitos 3.…

    • 644 Words
    • 3 Pages
    Satisfactory Essays
    Read More
  • Satisfactory Essays

    Visual Analysis Assignment Hope Athena
    • 561 Words
    • 2 Pages

    Visual Analysis Assignment Hope Athena

    Walking through LACMA there was a section that caught my eye and found it to be of interest to me. That section was the Greek, Roman, and Etruscan Art which was located on the Ahmanson Building, Level 3. There were various unique pieces such as vases, jewelry and sculptures. I chose the sculpture of Hope Athena to do my visual analysis because I found it to be beautiful. Athena was a Greek goddess of wisdom and war. The sculpture at LACMA is a Roman, 2nd century copy after a Greek original of the late 5th century BC School of Pheidias. The sculpture was made out of marble with neutral colors. In parts the color was dull with hues of ivory and golden brown. The shape of the body was rectangular with broad shoulders. The sculpture had her arms missing. Her head was round with hair coming down in vertical waves. She was wearing a warrior helmet from my view point I could not tell what the helmet had on it. The helmet gave her a powerful look. Her facial expression seemed reflective with facial features being symmetrical and smooth. The eye sockets were hollow and dark. Her nose was chipped and her upper and lower lips were thin. One of the focal points for me was how her robe or drapery had such detail throughout the sculpture. It wrapped around her body with great detail with vertical creases and folds giving the sculpture a realistic look. The vertical lines toward the bottom of robe had great detail and were distributed equally and her feet and toes…

    • 561 Words
    • 2 Pages
    Satisfactory Essays
    Read More
  • Powerful Essays

    Art 101 Final Project
    • 1151 Words
    • 4 Pages

    Art 101 Final Project

    This sculpture is at the Vatican museum in Rome, Italy. It is also known as Laocoon Group. It is of Laocoon and his sons being attacked by…

    • 1151 Words
    • 4 Pages
    Powerful Essays
    Read More
  • Better Essays

    Arch Of Tini
    • 1140 Words
    • 5 Pages

    Arch Of Tini

    The structure is detail oriented, deeply ornamented, where the arch Titus's portrait appears at the center of the relief. At both ends of the ornaments there is a passage of two panels reliefs. The first passage commemorates the victory celebrated by Titus and his father Vespasian; describing the scene of conquest. On the carved image, Titus is attended by Roman servants who carry axes. A helmeted soldier leads the army which carries Titus and his father side to side.…

    • 1140 Words
    • 5 Pages
    Better Essays
    Read More
  • Good Essays

    The Hydria Ease Art Analysis
    • 952 Words
    • 4 Pages

    The Hydria Ease Art Analysis

    The artwork I chose for the Greeks is called the Hydria. This vase contains the artwork of Hercules and Athena. The vase art relates with Athena coming from Mount Olympus to bring Hercules to live among the other gods. In the myth it is hard to show who is who, because the Greeks see their gods as walking among humans. In the vase we can tell Athena by her armor, because she is the warrior goddess. We can see Hercules by the messenger god Hermes. We see the chariot and helpers, helping harness the horses for Athena and Hercules to ride to Mount Hercules. The vase reflects the story of how the Greeks view the gods and the heroes.…

    • 952 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Hair In The Archaic Period
    • 609 Words
    • 3 Pages

    Hair In The Archaic Period

    A characteristic of this statue is representational of the style of hair that was popular in the culture of the time. Long braided locks are arranged on the sculptures of women held by a brim worn atop the forehead. Another distinct characteristic displaying the popular posture present in the scultpure of women in the Archaic period was the positioning of the arms. One arm is positioned across the abdomen while the other across the waistline along their backside. This elegant and graceful pose is acredited to the bow of an actor/actress after their performance in a play still to present day.…

    • 609 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Herakles Nereus And Trion Analysis
    • 571 Words
    • 3 Pages

    Herakles Nereus And Trion Analysis

    In this article, Ruth Glynn sets out to explore the mysterious and oft misunderstood iconography of a select group of images. Specifically those depicting the hero Herakles as he grapples with the sea god Nereus who was later replaced with images of Triton. Her goal, is to explain why this change took place as well as the significance. This she does though a study of the iconographical significance of the figures and their attributes. She then moves on the a detailed study of Attic era vases, marking out three different groups based on the imagery.…

    • 571 Words
    • 3 Pages
    Good Essays
    Read More
  • Better Essays

    Art Under Napoleon
    • 3055 Words
    • 13 Pages

    Art Under Napoleon

    In 1794 Jacques-Louis David barely escapes death, due to his connections in the revolutionary war. He stood trial and went to prison. After his release he worked hard to reconstitute his career. The highlight of his career is when Napoleon asked Jacques-Louis David to work for him. Of course David accepted. Napoleon knew that David was a very accomplished artist, whom style was Neoclassical-Idealist painter. Napoleon favored painting of the classical times and of the Roman renaissance masters (Kleiner 2006). In reading, we will compare paintings by David, The Oath of Horatti and the Coronation of Napoleon. He also conquered enlightenment, so each subject matter to be of a moral, noble standing and conflict.…

    • 3055 Words
    • 13 Pages
    Better Essays
    Read More
  • Better Essays

    Humanities Human Figure in Art Work
    • 1121 Words
    • 5 Pages

    Humanities Human Figure in Art Work

    symbolized the gods at the top, the soldiers underneath and the slain at the bottom (Benton & DiYanni , p.11) Although the sculpture may be true to an event, the representation of the human figure has no facial identity and it portrays almost everyone looking alike, therefore representing humanism as the art form. In comparison, to the Victory Stele of Narim-Sin this stone carved slab is much like the the Palette of the Egyptian pharaoh Narmer slate due to again an war event that may have happened symbolizing an event of…

    • 1121 Words
    • 5 Pages
    Better Essays
    Read More
  • Good Essays

    Art Appreciation - Anger of Achilles Painting
    • 956 Words
    • 4 Pages

    Art Appreciation - Anger of Achilles Painting

    This particular painting is portraying deep anger, anguish, fear, and authority. I believe he wanted to show the anger and disappointment of Achilles;…

    • 956 Words
    • 4 Pages
    Good Essays
    Read More
  • Better Essays

    Achilles In The Odyssey
    • 1488 Words
    • 6 Pages

    Achilles In The Odyssey

    This image describes and symbolizes a struggle between two opposing mythical warriors. Both from different worlds and ways of life, both attempting to conquer the other in battle. The first being in the image (the one on the right that is about to slay his enemy) is a great mythological warrior, the son of Peleus, named Achilles. Achilles is a famous Greek hero that many Greek citizens, at that time, could relate themselves too. He had characteristics that almost any Greek male wanted to imitate.…

    • 1488 Words
    • 6 Pages
    Better Essays
    Read More
  • Good Essays

    Mithraism In Ancient Rome
    • 576 Words
    • 3 Pages

    Mithraism In Ancient Rome

    Figure 1 A depiction of a Mithraic bull sacrifice. Similar scenes were placed in temples to Mithras.…

    • 576 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    The Art of Ancient Greece
    • 5228 Words
    • 21 Pages

    The Art of Ancient Greece

    Funerary krater: In year 1050 there is evidence of the development of a specific Greek style. This specific style is found first on the vases/ceramic wares. The decoration on the surface is a narrative of a funeral procession. The figures are very simplified; depicted into very simple geometric shapes; torso and hips are triangular. We see a body lying in state (prothesis) which means this vase could have been used as a grave marker. I do want you to notice that there is more of an attempt to display real human emotions. The mourners’ arms are raised over their head as if in distress. It is no surprise that the Greeks would acknowledge real emotional grief in this painting. They were a civilization that was self aware. Their deities were not only human looking but also had very human characteristics. In fact the only difference between the gods and humans was that the…

    • 5228 Words
    • 21 Pages
    Good Essays
    Read More

Related Topics