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Quatrain A, B, A, B combined with the iambic pentameter shows regularity in the stresses of the beat, which reflects the motion of the Aspens as they sway consistently in the breeze. Alternatively, the regularity in the rhythm could reflect the beat of the hammer of the Blacksmith’s, as mentioned in the second stanza to emphasise how the vignette was once active, busy and lively. This is also seen in the sonnet by Robert Frost, Acquainted with the Night, where iambic pentameter could have been used to reflect the constant depressive state the poet experienced at the time. This contrasts with another of Thomas’ poems, ‘Tears’, where his thoughts are disjointed and disorganised as he tries to recollect his memories. Thus the use of free verse and an 18 line stanza, unbroken, is appropriate as it reflects how he struggles to remember. Despite this, the whole stanza is in iambic pentameter but Thomas has used this technique in order to reflect what is going on in his memory. For example, the last 6 lines of the stanza regulate, as all are of the same length, which expresses the formality of the soldiers marching and their…
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What is unique that I have observed is each stanza has exactly eight lines. Yes the poem does rhyme and this allows for the poem to flow smoothly.…
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The use of full-stops shows there is a clear, regular structure within the poem: a single stanza is followed by a pair of stanzas, then another single stanza is followed by another pair. The final, seventh stanza acts as a conclusion.…
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This poem appears to be a dramatic monologue, spoken by the character at a moment when he/she was approaching death. Using key terms within the last stanza, we can infer the speaker is approaching death. Therefore, the tone of the poem should be that of sadness or despair, but as one can see, the speaker is trying to convey hope towards the end of the poem (representing the end of life). The rhyme scheme is identical in both stanzas; however, it does not follow any standard pattern. The rhyming sequence is unique. If counting the lines, all of the even numbered lines from the second stanza follow the same rhyme sequence as the first stanza. In addition, the first three odd lines of each stanza rhyme with themselves, but lines seven and nine of each stanza rhyme with each other, independent of the other odd lines.…
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In Robert Frosts’ poem “Stopping by woods on a snowy evening”, Frost uses symbolism and personification to tell a story about a man’s battle with responsibility and society versus straying from the accepted path of life. Throughout the poem, Frosts’ use of detail helps push the story along and get the reader into that field. The reader starts to feel the cool, brisk breeze and hear the silence of the nothingness. With as short as this poem is, the reader really feels a sense of a story here rather than just a four stanza poem.…
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The speaker seems to search for solitude, as he rides through the woods in search of solitude he realizes his obligations to the things in his life. The speaker thinks of the man who owns the land and that “His house is in the village though” (2). This line highlights that Frost acknowledges that he knows the man who owns the place where he goes to escape. Frost has a sense of acceptance that the solitude he crafted for himself isn’t real. As much as Frost seeks escape he knows that it is illogical and his “horse must think it queer” that he has left society (5). The “horse” in this poem represents the speaker’s sensibilities, the speaker rides into the woods, yet his horse questions what he is doing. The horse questions stopping “without a farmhouse near” the horse is personified by the word “farmhouse” instead of a barn or stable. The horse, being part of the speaker knows it belongs inside and not in the woods. The speaker’s”horse” or in a literal sense his conscience, creates an internal struggle between the speaker’s want for solitude and his involvement in society. As much as the speaker wants to fulfill his self-prescribed solitude he knows that he has “promises to keep” (14). The speaker finds himself conflicted but ends up knowing that his allegiances lie with the world and other…
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Frost achieves his purpose of creating a poem which “begins in delight and ends in wisdom.” His use of metaphors, soft alliterations and biblical allusions illuminate the idea that everything beautiful eventually fades…
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With Frost’s word choice and the title he chooses to tell this story, the poem comes to exhibit a gloomy tone. Immediately after reading the title of the poem, it can be derived that the lines to follow will chronicle some form of darkness because the word “Night” in the title is a natural embodiment of darkness itself. To help support the gloomy tone initiated with the title of the poem, Frost chooses words such as “rain,” “down,” “saddest, “dropped,” and “cry” to populate the body of his poem. It should also be noted that the speaker in the poem is constantly distancing himself/herself from life and light as he/she out walks "the furthest city light," tries to hide from the watchman, is "far away from an interrupted cry," and is "further still" from the light of the moon. The fact that the speaker is unidentified gives more support for the poems gloomy tone. These elements, the tone, title and diction used, contribute to Frost’s purpose for the poem because they characterize the dark setting that allows the poet to write a story that is both believable and easy to relate to.…
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For this poem he uses a near perfect iambic pentameter. This means each line has 10 syllables, which are arranged so that one unstressed syllable is followed by a stresses syllable. For example, the stressed syllables in this line are bold and in italic “I have been one ac-quaint-ed with the night.” The way Frost writes this is very difficult and could account for some of the strange sounding ways that he phrases his lines. Although it is strange, it actually plays a key part in the structure of this poem.…
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The poem tells of a man who is walking somewhere with his horse one night, and stops to ponder the sight of the woods for some time. Then, he is reminded of his duties, and continues on his way. The man in this poem is depressed, much like the man in "Dust of Snow". When he looks into the woods, it serves as a metaphor for the man contemplating his own suicide. Frost describes the woods as "lovely, dark and deep". This description makes the woods seem very appealing, to the point where one would want to step into the them and walk through them. Frost is likening these woods to embracing one's depression and committing suicide. This is because the thought of ending one's life might seem appealing to one stricken with deep depression. But, the man does not embrace his depression. Instead, he carries on and continues with his life, saying to himself, twice, that he has "miles to go before [he] sleeps". The repetition in this line seems to be a mantra for the man, which he repeats in order to convince himself that he must go through with his life. But what ultimately brings this man out of his depressed state? It is the "promises" mentioned in line 10, which the man feels he needs to uphold. So, it is society and other people who save the…
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In the first stanza, the man driving the horse describes stopping near another man 's woods whose house is in the village. The man is watching the woods fill up with snow. In the first line he first mentions the wood which immediately gives the reader an outdoor and a rural feeling. This is followed in the next line by the narrator saying he knows the man who lives in the village that owns these woods. This mention of the village leads the reader away from the peacefulness of the woods filling up with snow and back into the village. I think that the purpose of frost mentioning that the man who owns the woods is to illustrate the irony of how something so peaceful and natural can be owned by someone who lives away in a bustling city. Line three, "He will not see me stopping here," implies that the narrator knows that…
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An important aspect is the structure of the poem. It is composed of two stanzas, each stanza containing one sentence that is broken up at various intervals. Both stanzas have each ten lines. The intervals that the sentences are broken differ from line to line, the longest line being 8 syllables and the shortest being 3 syllables. This structure gives the author flexibility, writing this poem like he is writing a story. He is breaking up the sentence into various intervals in order to create “musicality” among the last words of each line.…
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As noted above, Frost uses many techniques to explain the significant of the poem. The most important aspect of the poem is the extended metaphor of the…
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1. Does the horse think, or is the writer using this to postpone his thoughts…
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During his life, Robert Frost, the icon of American literature, wrote many poems that limned the picturesque American Landscape. His mostly explicated poems “Birches” and “Stopping by Woods on a Snowy Evening” reflect his young manhood in the rural New England. Both of these poems are seemingly straightforward but in reality, they deal with a higher level of complexity and philosophy. Despite the difference in style and message, “Birches” and “Stopping by Woods on a Snowy Evening” are loaded with vivid imagery and symbolism that metaphorically depict the return to the nature and childhood, the struggle between reality and imagination, and also freedom and captivation.…
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