An analysis on how Mise-en-scene and sound create meaning and generate response in the film Marnie, by Alfred Hitchcock. The scene is of Mark trying to rekindle Marnie’s memories from the night of her mother’s ‘accident’: Marnie, having seeing Mark trying to hold back her mother’s punches, begins to remember parts from that night.…
Citizen Kane is a 1941 American drama film by Orson Welles, its producer, co-author, director and star. The picture was Welles's first feature film. Nominated for Academy Awards in nine categories, it won an Academy Award for Best Writing by Herman J. Mankiewicz and Welles. Considered by many critics, filmmakers, and fans to be the greatest film ever made, Citizen Kane was voted the greatest film of all time in five consecutive Sight & Sound polls of critics, until it was displaced by Vertigo in the 2012 poll. It topped the American Film Institute's 100 Years ... 100 Movies list in 1998, as well as AFI's 2007 update. Citizen Kane is particularly praised for its cinematography, music, and narrative structure, which were innovative for its…
Movies are much more than just a picture on a screen. They are not linear, they are complex and have depth beyond our imagination. One of the most critically acclaimed master of this art is Alfred Hitchcock. The movie describes the events that occur when a small town is attacked by vicious birds. The movie “The Birds” by Alfred Hitchcock has a deeper emotional weight with its audience than the book “The Birds” by Daphne du Maurier because of Hitchcock’s deliberate use of setting, imagery, and mood in the cinematic experience.…
According to The Film Experience " … a film bears the creative imprint of one individual, usually the director …" and that it " … is taken to reveal the personality of its director …" such that the director is referred to as an auteur (p. 464). Certain decisions made by the director Alfred Hitchcock to employ similar idealistic themes throughout the movies Psycho, The Birds and Rear Window let him express his creative style. Voyeurism is undoubtedly the most recognizable feature in Hitchcock’s movies, similarly addressed in each movie in the form of an assault, where the audience’s dimension of voyeurism feels somewhat compromised as the characters of each movie are poetically punished for their voyeurism following an eloquent, skin crawling suspense, causing both the audience and characters to reflect and question the voyeurism we are somewhat predetermined to do.…
The Cameraman (1928), an MGM Buster Keaton feature, is one of the last truly great feature films of the silent era. From the artistic balance it finds between the simplicity of an all-too-familiar storyline and the complexity of technique and cinematography, to the very-entertaining and captivating performances of its actors, the film that was nearly lost to the annals of motion-picture history is a multi-faceted gem that is joyous to watch.…
Hitchcock is taking us through different everyday lives, leaves us to imagine horrific events.. Then back to everyday lives. WE ARE THEN left with fear…
Alfred Hitchcock’s films changed the film industry and shaped it into what it is today. His horror films such as Psycho and The Birds had a huge impact on the horror films of today, for example, the scene I will be looking at in The Birds shows all of the crows silently on a school climbing frame. In the famous horror film Jeepers Creepers (2001) the ending scene shows the…
In conclusion, Alfred Hitchcock is the master of suspense and remember suspense does not always have to be horror, in fact as we now know one of Hitchcock’s greatest secrets was incorporating humor into his works. He, of course he also has a specialty in mounting tension, and his success as a director shows in many of his movies including but not limited to north by northwest, vertigo, and…
After watching Rear Window for a second time I’ve come to realize that not only is Alfred Hitchcock a great director, but also a great movie watcher. What I’m trying to say is that he knows exactly what people want to see in certain movies. Voyeurism captures the attention of anyone, viewers want to “spy” on the characters without being seen, and they want to be in positions that reality doesn’t allow them to be in. Hitchcock knows this feeling all too well, making one of the greatest movies of all time around that one obsession viewers have. This is why Rear Window is a great movie for ENC 1102, along with the romantic tension and multiple subplots.…
Chapter five of The Cultures of American Film discusses the history of silent comedy. It focuses mainly on two of the most important actors of this gene: Buster Keaton, and Charlie Chaplin. They both starred in countless films within the silent film genre and changed the way we looked at them forever.…
The way films are created and pieced together has progressed greatly over the past century, where before 1910 there was little use of film techniques such as special effects, animation, complex transition sequences and many more. However the introduction of film techniques have helped films gain a sense of genre and establishment as they were used to create specific intensities set out by the director; this is where roles corresponding to certain areas were introduced such as cinematographers, production designers and lighting directors. A classic example of a well-known director would be Alfred Hitchcock (1899 – 1980) who is famous for creating suspense films like The Birds or Psycho. I am mentioning him as he had revolutionised the way films…
In Citizen Kane, Welles once in a while foregoes altering for the long take; on the other hand, he additionally embraces altering procedures from Hollywood, such as the shot-reverse shot technique. Obviously, Welles gives the breakfast scene his own specific touch, giving a montage arrangement chronicling the breakdown of a relationship. He additionally uses stun cuts, as in the presentation of the News on the March grouping or the slice to a screeching cockatoo later in the film. Sound assumes an awesome part in film. Sound in the silver screen is of three sorts: speech, music, and noise. This sound can be either diegetic or non-diegetic. A decent approach to consider this qualification is as far as what the characters in the film can listen.…
Male fears of entrapment and shift in gender roles were projected in Hitchcock’s films like The Shadow of a Doubt, Strangers on a Train, The Man Who Knew Too Much, I Confess, Rear Window, Vertigo, North by Northwest, The Wrong Man…
Throughout time human have had the necessity to express their emotions as a form of art. The world stopped when they first watched on screen people and objects in movement, but since time changes, so do our minds, interests and traditions. When people thought nothing better than silent films could arrive, the unexpected happened, the first talkie came out. Their movie stars for the first time had a voice and so the public started to be more demanding. They started to pay attention to the screenplay, acting and the production instead of only paying attention to the art that us being expressed.…
In Robin Wood’s essay: Ideology, Genre, Auteur, Wood revisits Hitchcock’s films and analyses the different characteristics in the films. Wood focuses mostly on Shadow of a Doubt and It’s a Wonderful Life in which he compares and describes the different values of Hollywood cinema. One of Wood’s major points to hear two opposing views. Wood stresses that a critics job should be to look at a piece as a whole rather than at the particular aspects of one of the theories or too superficially, like a genre. Wood, however, then demonstrates what a proper critic should be like, by analyzing and comparing every single aspect, characteristic, and plot details in Shadow of a Doubt and It’s a Wonderful Life.…