The instrument that stood out to me on this track was the Jarana Jarocho, an 8 string rhythm instrument. It is an instrument used strictly for rhythm and is the most fundamental Jarocha instrument because it provides rhythm. Thus, manicos are performed on this instrument. The Requinto Jarocho is a 4 string instrument, it is played with a long pick known as a pua, which is made from bullhorn or plastic.…
In the song “La Chicharonera” by Narcisco Martinez, his style of accordion playing is described as a polka, which is an upbeat couple dance in 2/4 time. This is a stark contrast to Esteban Jordan’s song “Cumbia de Chon”, which is…
The Vihuela also plays a major role in a Mariachi ensemble. The Vihuela is an instrument that is basically two different guitars ring instruments. The one played in the Mariachi…
The cornamuse looks like a long stick with holes in it. It sounds like they are quiet and soft. It is played by covering the holes and blowing into it. It was not used in a particular type of music.…
A standard drum kit is generally used in reggae, but the snare drum is often tuned very high to give it a timbales-type sound. Some reggae drummers use an additional timbale or high-tuned snare to get this sound. Cross-stick technique on the snare drum is commonly used, and tom-tom drums are often incorporated into the drumbeat itself. An unusual characteristic of reggae drumming is that the drum fills often do not end with a climactic cymbal. Wide ranges of other percussion instrumentation are used in reggae. Bongos are often used to play free, improvised patterns, with heavy use of African-style cross-rhythms. Cowbells, claves and shakers tend to have more defined roles and a set pattern.…
The name of the Mariachi is disputed amongst many musicologists and folklorists. Some argue that “mariachi” derives from the French term “mariage” meaning wedding or marriage while others argue the term originates from its indigenous roots of the platform structures that they performed on. They are a visual and audible representation of musicality and the embodiment of the Western Mexican culture. The Mariachi has a very distinct dress and has musicality influences from all over the world. This musical ensemble, in particular, used a methodology of blending native stylings with foreign influences.…
Musicians and artists in Samoa have added electronic instruments and rhythms to their compositions, which was introduced to them through western cultures. However, a guitar or a ukulele still serve as the main instruments in most pieces of Samoan music, while the introduction of a song is often played by a Pate. A Pate is a hollowed out log that is beaten with two wooden sticks that resemble wooden pestles. (A picture of the Pate is shown on the…
This system has made clear the vicinity of two standard sorts: customary mariachi with string instruments, and present day mariachi with the thought of the trumpet. Nearby this,…
There are several different types of traditional Shona musics, including mbira, singing, and drumming. Very often, this music is accompanied by dancing and participation by the audience.[2] In Shona music, there is little distinction between the performer and the audience; both are actively involved in the music making, and both are important in the religious ceremonies where Shona Music is often heard.[3] In mbira music, “the performer of the kushaura (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon via improvisation. The performer of the kutsinira (second mbira part) plays a pattern which interlocks with the kushaura in a way that creates the repeated notes which identify mbira music. The kutsinira part is often the same part as the kushaura, but played a half a beat later. The mbira players are accompanied by another less active singer who plays the hosho (a rattle) and responds to the improvised lyrics of the singer, and most importantly embellishes and complements the lead vocal melody.”[4]…
Timba is faster tempo salsa which is influent by Afro-Cuban. The Cuban salsa always going to have this traditional rumba structure, which is “…start slow, break into a core salsa rhythm, then settle into a beautiful call and response vocal pattern”. Cuban timba is more flexible when it comes to sounds, in their style they love add others music style, like Hip hop, reggae, and rap. The way that Cuban dances is call casino. The way they dances casino is by going around the woman in a circular dynamic to show her off.…
Zapateado is a form of dance associated with son jalisciense and son jarocho. Originating in Spain, it is comprised of singers driving their feet into the floor to create a syncopated rhythm. “In the dance the movements of the performers often represent the farm-yard courtship described in the verses of the sones. (mariachi.org)”…
The bomba has a strong connection between the dancer and the drummer. The drummer has to follow the dancer’s beat, which is very different to most dances where the dancer follows the drummer’s beat. During the dance all drummers sit in a line together and play. The basic dance steps o is: starting on the right foot, tap in place, step the back, tap together in place (Salsaroots, n.d). The bomba consists for two drums – subidor and primo, a maraca, and a cua. Female dancers wear dresses with full skirts and white petticoats while the male dancers dress in white panama…
* Swift beats from güira or maracas percussion sections, and drums such as the tambora.…
Out of all of the traditions that makes the Puerto Rican culture must be its music. Some of the instruments played in customary Puerto Rican music originated with the Taíno people. The most notable is the güicharo, or guiro. Some of the guiros were made from dried gourds and fruits. They were also made from animal bones and wood as well. This instrument was adapted from the people of the pre-Colombian days. The musical traditions of the Spanish and Africans can also be heard in Puerto Rico's music. Such music are their classical music,…
The timber was worm, and smooth. Moreover, the texture of this movement is likely to be homophonic because many note and the main instruments were the woodwinds that have the main melody. I enjoy this movement Precisely because it is more emotional; they end this movement with slow short solo woodwind instrument. The third movement of this piece was titled Song of the Blacksmitb. The speed of this movement was Moderato, which makes it faster than the firsts movement; also it has some fast note. In this movement the timber was between brassy and harsh. Addition, in this movement all the lines was played at the same level since it very short movement, that makes it polyphonic. Nonetheless, the forth and the last movement of the first piece was titled Fantasia on the Dargason. This movement started with solo French horn. This movement has combination of the texture the monophonic and the polyphonic because there was some notes that the entire instrument played at the same level, on the other hand, there some note that one instrument has the main melody. Moreover, in this movement there were two times when they play solo the first combination the French horn that has the main melody and the tuba, the second combination was the piccolo with trombone. The tempo was…
